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{{Literature}}
{{short description|Written work of art}}
{{distinguish|Literature (card game)}}
{{Further|Outline of literature|Index of literature articles}}
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'''Literature''', in its broadest sense, is any single body of [[writing|written works]]. More restrictively, literature is writing that is considered to be an art form, or any single writing deemed to have artistic or intellectual value, often due to deploying language in ways that differ from ordinary usage. Its Latin root ''literatura''/''litteratura'' (derived itself from ''littera'': ''letter'' or ''handwriting'') was used to refer to all written accounts, though contemporary definitions extend the term to include texts that are spoken or sung ([[oral literature]]). Literature can be classified according to whether it is [[fiction]] or [[non-fiction]] and whether it is [[poetry]] or [[prose]]; it can be further distinguished according to major forms such as the [[novel]], [[short story]] or [[drama]]; and works are often categorized according to historical periods or their adherence to certain [[Aesthetics|aesthetic]] features or expectations ([[genre]]).
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| image1            = Genji emaki 01003 004.jpg
| image2            = Beowulf Cotton MS Vitellius A XV f. 132r.jpg
| image3            = Fragment of Tablet II of the Epic of Gilgamesh. Old-Babylonian period, from southern Iraq. Sulaymaniyah Museum, Iraqi Kurdistan.jpg
| image4            = Burmese-Pali Manuscript. Wellcome L0026547.jpg
| image5            = The Grapes of Wrath (1939 1st ed cover).jpg
| image6            = Things Fall Apart signed.jpg
| image7            = Tolstoy - War and Peace - first edition, 1869.jpg
| image8            = Tales of Arabian Nights from the collection of Johann Gottfried Wetzstein, Syrian, 18th century CE.jpg
| image10          = Cien años de soledad.png
| image11          = Dresden Codex pp.58-61.jpg
| image12          = CMOC Treasures of Ancient China exhibit - fragment of Xiping stone classics.jpg
| header            = Literature from around the world
| footer            = ''[[The Tale of Genji]], [[Beowulf]], [[Epic of Gilgamesh]],'' [[Pāli Canon]], ''[[The Grapes of Wrath]], [[Things Fall Apart]], [[War and Peace]], [[One Thousand and One Nights]], [[Cien Años de Soledad]],'' [[Dresden Codex]], [[Xiping Stone Classics]]
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'''Literature''' broadly is any collection of [[Writing|written]] work, but it is also used more narrowly for writings specifically considered to be an [[art]] form, especially [[prose]] [[fiction]], [[drama]], and [[poetry]].<ref name="OD">{{cite web |url=https://www.oxfordlearnersdictionaries.com/definition/american_english/literature |title=Literature: definition |publisher=Oxford Learner's Dictionaries}}</ref> In recent centuries, the definition has expanded to include [[oral literature]], much of which has been transcribed.<ref>{{cite web |url=https://www.britannica.com/art/oral-literature |title=Oral literature |publisher=[[Encyclopaedia Britannica]]}}; see also [[Homer]].</ref> Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and  can also have a social, psychological, spiritual, or political role.
 
Literature, as an art form, can also include works in various non-fiction genres, such as [[biography]], [[Diary|diaries]], [[memoir]], [[Letter (message)|letters]], and the [[essay]]. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.<ref name="EB">{{Cite web|url=https://www.britannica.com/art/literature|title=literature &#124; Definition, Characteristics, Genres, Types, & Facts|website=Encyclopedia Britannica}}</ref><ref name="auto">''OED''</ref>
 
[[Etymology|Etymologically]], the term derives from [[Latin language|Latin]] ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter".<ref name=oetyd>{{cite web|title=literature (n.)|url=http://www.etymonline.com/index.php?term=literature&allowed_in_frame=0|publisher=Online Etymology Dictionary|access-date=9 February 2014}}</ref> In spite of this, the term has also been applied to [[Oral literature|spoken or sung texts]].<ref name="meyer">{{cite journal|last=Meyer|first=Jim|year=1997|title=What is Literature? A Definition Based on Prototypes|url=http://www.und.nodak.edu/dept/linguistics/wp/1997Meyer.htm|journal=Work Papers of the Summer Institute of Linguistics and University of North Dakota Session|volume=41|issue=1|access-date=11 February 2014}}{{Dead link|date=January 2021}}</ref><ref>{{cite journal|last=Finnegan|first=Ruth|title=How Oral Is Oral Literature?|journal=Bulletin of the School of Oriental and African Studies|year=1974|volume=37|issue=1|pages=52–64|jstor=614104|doi=10.1017/s0041977x00094842 |s2cid=190730645}} {{subscription required}}</ref> [[History of printing|Developments in print technology]] have allowed an ever-growing distribution and proliferation of written works, which now includes [[electronic literature]].


The concept has changed meaning over time: nowadays it can broaden to have non-written verbal art forms, and thus it is difficult to agree on its origin, which can be paired with that of language or writing itself. [[History of printing|Developments in print technology]] have allowed an evergrowing distribution and proliferation of written works, culminating in [[electronic literature]].
Literature is classified according to whether it is poetry, prose or drama, and such works are categorized according to historical periods, or their adherence to certain [[Aesthetics|aesthetic]] features, or [[genre]].


== Definitions ==
== Definitions ==
Definitions of literature have varied over time.<ref name="Leitch ''et al.'', ''The Norton Anthology of Theory and Criticism'', 28">Leitch ''et al.'', ''The Norton Anthology of Theory and Criticism'', 28</ref> In [[Western Europe]], prior to the 18th century, literature denoted all books and writing literature can be seen as returning to older, more inclusive notions, so that [[cultural studies]], for instance, include, in addition to [[Western canon|canonical works]], [[Genre fiction|popular and minority genres]]. The word is also used in reference non-written works: to "[[oral literature]]" and "the literature of [[preliterate]] culture".
A [[value judgment]] definition of literature considers it as consisting solely of high quality writing that forms part of the ''[[belles-lettres]]'' ("fine writing") tradition.{{sfn|Eagleton|2008|p=9}} An example of this in the (1910–11) [[Encyclopedia Britannica Eleventh Edition|''Encyclopædia Britannica'']] that classified literature as "the best expression of the best thought reduced to writing".<ref name="Biswas, ''Critique of Poetics'', 538">Biswas, ''Critique of Poetics'', 538</ref>
== History ==
{{main|History of literature}}
[[File:Kyrgyz Manaschi, Karakol.jpg|thumb|A traditional [[Kyrgyz people|Kyrgyz]] [[manaschi]] performing part of the [[Epic of Manas]] at a [[yurt]] camp in [[Karakol]], [[Kyrgyzstan]]]]
=== Oral literature ===
The use of the term "literature" here is a little problematic because of its origins in the Latin ''littera'', “letter,” essentially writing. Alternatives such as "oral forms" and "oral genres" have been suggested but the word literature is widely used.<ref>{{Cite web|url=https://www.britannica.com/art/oral-literature|title=Oral literature|website=Encyclopedia Britannica}}</ref>
[[Oral literature]] is an [[Oral tradition|ancient human tradition]] found in "all corners of the world".<ref name="MacKay1999p1"/> Modern archaeology has been unveiling evidence of the human efforts to preserve and transmit arts and knowledge that depended completely or partially on an oral tradition, across various cultures:
{{Blockquote|
The Judeo-Christian Bible reveals its oral traditional roots; medieval European manuscripts are penned by performing scribes; geometric vases from archaic Greece mirror Homer's oral style. (...) Indeed, if these final decades of the millennium have taught us anything, it must be that oral tradition never was the other we accused it of being; it never was the primitive, preliminary technology of communication we thought it to be. Rather, if the whole truth is told, oral tradition stands out as the single most dominant communicative technology of our species as both a historical fact and, in many areas still, a contemporary reality.<ref name="MacKay1999p1">{{cite book|author=John Miles Foley. ''"What's in a Sign"''|editor=E. Anne MacKay|title=Signs of Orality|url=https://books.google.com/books?id=vkfRvkgDTOsC |year=1999|publisher=BRILL Academic |isbn=978-9004112735|pages=1–2}}</ref>}}
The earliest [[poetry]] is believed to have been recited or sung, employed as a way of remembering [[oral history|history]], [[genealogy]], and [[law]].<ref>Francis, Norbert (2017). ''Bilingual and multicultural perspectives on [https://rowman.com/ISBN/9781498551830/Bilingual-and-Multicultural-Perspectives-on-Poetry-Music-and-Narrative-The-Science-of-Art poetry, music and narrative]: The science of art''. Lanham MD: Rowman and Littlefield.</ref>
In Asia, the transmission of folklore, mythologies as well as scriptures in ancient India, in different Indian religions, was by oral tradition, preserved with precision with the help of elaborate [[Vedic chant|mnemonic techniques]].<ref>{{cite journal |author=Donald S. Lopez Jr. |year=1995 |title=Authority and Orality in the Mahāyāna |journal=Numen |volume=42 |number=1 |pages=21–47 |publisher=Brill Academic |jstor=3270278|doi=10.1163/1568527952598800 |url=https://deepblue.lib.umich.edu/bitstream/2027.42/43799/1/11076_1995_Article_1568527952598800.pdf |hdl=2027.42/43799|hdl-access=free }}</ref>
The early Buddhist texts are also generally believed to be of oral tradition, with the first by comparing inconsistencies in the transmitted versions of literature from various oral societies such as the Greek, Serbia and other cultures, then noting that the Vedic literature is too consistent and vast to have been composed and transmitted orally across generations, without being written down.{{citation needed|date=November 2020}}<!-- Empty reference <ref name="Goody1987p82"/--> According to Goody, the Vedic texts likely involved both a written and oral tradition, calling it a "parallel products of a literate society".{{citation needed|date=November 2020}}<!-- Empty references <ref name="Goody1987p82"/><ref name="lopez1995p21"/-->
[[Australian Aboriginal culture]] has thrived on oral traditions and oral histories passed down through thousands of years.
In a study published in February 2020, new evidence showed that both [[Budj Bim]] and [[Tower Hill (volcano)|Tower Hill]] volcanoes erupted between 34,000 and 40,000 years ago.<ref name=earlier>{{cite web |first=Sian |last=Johnson |title=Study dates Victorian volcano that buried a human-made axe |website=ABC News |date=26 February 2020 |url=https://www.abc.net.au/news/2020-02-26/study-dates-victorian-volcano-that-buried-a-human-made-axe/11991290 |access-date=9 March 2020}}</ref> Significantly, this is a "minimum age constraint for human presence in [[Victoria, Australia|Victoria]]", and also could be interpreted as evidence for the oral histories of the [[Gunditjmara]] people, an [[Aboriginal Australian]] people of south-western Victoria, which tell of volcanic eruptions being some of the oldest oral traditions in existence.<ref name="MatchanPhillips2020">{{cite journal |last1=Matchan |first1=Erin L. |last2=Phillips |first2=David |last3=Jourdan |first3=Fred |last4=Oostingh |first4=Korien |title=Early human occupation of southeastern Australia: New insights from 40Ar/39Ar dating of young volcanoes |journal=Geology |year=2020 |volume=48 |issue=4 |pages=390–394 |issn=0091-7613 |doi=10.1130/G47166.1|bibcode=2020Geo....48..390M |s2cid=214357121 }}</ref> An axe found underneath [[volcanic ash]] in 1947 had already proven that humans inhabited the region before the eruption of Tower Hill.<ref name=earlier/>
All ancient Greek literature was to some degree oral in nature, and the earliest literature was completely so.<ref>Reece, Steve. "Orality and Literacy: Ancient Greek Literature as Oral Literature," in David Schenker and Martin Hose (eds.), Companion to Greek Literature (Oxford: Blackwell, 2015) 43-57. [https://www.academia.edu/30640456/Orality_and_Literacy_Ancient_Greek_Literature_as_Oral_Literature Ancient_Greek_Literature_as_Oral_Literature]</ref> [[Homer]]'s epic poetry, states Michael Gagarin, was largely composed, performed and transmitted orally.<ref>{{cite book|author=Michael Gagarin |editor=E. Anne MacKay| title=Signs of Orality|url=https://books.google.com/books?id=vkfRvkgDTOsC |year=1999|publisher=BRILL Academic |isbn=978-9004112735|pages=163–164}}</ref> As folklores and legends were performed in front of distant audiences, the singers would substitute the names in the stories with local characters or rulers to give the stories a local flavor and thus connect with the audience, but making the historicity embedded in the oral tradition as unreliable.<ref>{{cite book|author=Wolfgang Kullmann |editor=E. Anne MacKay| title=Signs of Orality|url=https://books.google.com/books?id=vkfRvkgDTOsC |year=1999|publisher=BRILL Academic |isbn=978-9004112735|pages=108–109}}</ref> The lack of surviving texts about the Greek and Roman religious traditions have led scholars to presume that these were ritualistic and transmitted as oral traditions, but some scholars disagree that the complex rituals in the ancient Greek and Roman civilizations were an exclusive product of an oral tradition.<ref>{{cite book|author=John Scheid|editor=Clifford Ando and Jörg Rüpke|title=Religion and Law in Classical and Christian Rome|url=https://books.google.com/books?id=uZ5JP8gZgJEC&pg=PA17 |date=2006 |publisher=Franz Steiner Verlag|isbn=978-3-515-08854-1|pages=17–28|author-link=John Scheid}}</ref>
Writing systems are not known to have existed among [[Native North Americans]] before contact with Europeans. Oral storytelling traditions flourished in a context without the use of writing to record and preserve history, scientific knowledge, and social practices.<ref>{{Cite book|title=Native American Storytelling: A Reader of Myths and Legends|url=https://archive.org/details/nativeamericanst00kroe|url-access=limited|publisher=Blackwell Publishing|year=2004|isbn=978-1-4051-1541-4|editor-last=Kroeber|editor-first=Karl|location=Malden, MA|pages=[https://archive.org/details/nativeamericanst00kroe/page/n11 1]}}</ref> While some stories were told for amusement and leisure, most functioned as practical lessons from tribal experience applied to immediate moral, social, psychological, and environmental issues.<ref>{{Cite book|title=Native American Storytelling: A Reader of Myths and Legends|url=https://archive.org/details/nativeamericanst00kroe|url-access=limited|publisher=Blackwell Publishing|year=2004|isbn=978-1-4051-1541-4|editor-last=Kroeber|editor-first=Karl|location=Malden, MA|pages=[https://archive.org/details/nativeamericanst00kroe/page/n13 3]}}</ref> Stories fuse fictional, supernatural, or otherwise exaggerated characters and circumstances with real emotions and morals as a means of teaching. Plots often reflect real life situations and may be aimed at particular people known by the story's audience. In this way, social pressure could be exerted without directly causing embarrassment or social exclusion.<ref name=":0">{{Cite book|title=Native American Storytelling: A Reader of Myths and Legends|url=https://archive.org/details/nativeamericanst00kroe|url-access=limited|publisher=Blackwell Publishing|year=2004|isbn=978-1-4051-1541-4|editor-last=Kroeber|editor-first=Karl|location=Malden, MA|pages=[https://archive.org/details/nativeamericanst00kroe/page/n12 2]}}</ref> For example, rather than yelling, [[Inuit culture|Inuit]] parents might deter their children from wandering too close to the water's edge by telling a story about a sea monster with a pouch for children within its reach.<ref>{{Cite news|url=https://www.npr.org/sections/goatsandsoda/2019/03/13/685533353/a-playful-way-to-teach-kids-to-control-their-anger|title=How Inuit Parents Teach Kids To Control Their Anger|newspaper=NPR|date=13 March 2019|language=en|access-date=2019-04-29|last1=Doucleff|first1=Michaeleen|last2=Greenhalgh|first2=Jane}}</ref>
See also [[African literature#Oral literature]]
==== Oratory ====
[[Rhetoric|Oratory]] or the art of [[public speaking]] "was for long considered a literary art".<ref name="EB"/> From [[Ancient Greece]] to the late 19th century, [[rhetoric]] played a central role in Western education in training orators, lawyers, counsellors, historians, statesmen, and poets.<ref>See, e.g., Thomas Conley, Rhetoric in the European Tradition ([[University of Chicago]], 1991).</ref>{{NoteTag|The definition of rhetoric is a controversial subject within the field and has given rise to philological battles over its meaning in Ancient Greece.<ref>See, for instance {{cite journal |doi=10.1080/07350199609389075 |volume=14 |title=On schiappa versus poulakos |year=1996 |journal=Rhetoric Review |pages=438–440 |last1=Parlor |first1=Burkean |last2=Johnstone |first2=Henry W. |issue=2}}</ref>}}
=== Writing ===
{{Further|History of writing}}
[[File:Tableta con trillo.png|thumb|240px|Limestone [[Kish tablet]] from [[Sumer]] with pictographic writing; may be the earliest known writing, 3500 BC. [[Ashmolean Museum]]]]
Around the 4th millennium BC, the complexity of trade and administration in [[Mesopotamia]] outgrew human memory, and [[writing]] became a more dependable method of recording and presenting transactions in a permanent form.<ref>{{Cite journal|last=Green|first=M.W.|date=1981|title=The Construction and Implementation of the Cuneiform Writing System.|journal=Visible Language|volume=15|issue=4|pages=345–372}}</ref> Though in both [[ancient Egypt]] and [[Mesoamerica]], writing may have already emerged because of the need to record historical and environmental events. Subsequent innovations included more uniform, predictable, [[List of national legal systems|legal systems]], [[Religious text|sacred texts]], and the origins of modern practices of [[Models of scientific inquiry|scientific inquiry]] and [[Knowledge management|knowledge-consolidation]], all largely reliant on portable and easily reproducible forms of writing. &nbsp;
=== Early written literature ===
{{Main|History of literature|Ancient literature|History of books}}
[[Ancient Egyptian literature]],{{sfn|Foster|2001|p=19}} along with [[Sumerian literature]], are considered the world's [[Ancient literature|oldest literatures]].<ref name="Black et al. ''The Literature of Ancient Sumer'', xix">Black et al. ''The Literature of Ancient Sumer'', xix</ref> The primary [[genre]]s of the literature of [[ancient Egypt]]—[[Didacticism|didactic]] texts, hymns and prayers, and tales—were written almost entirely in verse;{{sfn|Foster|2001|p=7}} By the [[Old Kingdom]] (26th century BC to 22nd century BC), literary works included [[Ancient Egyptian funerary texts|funerary texts]], [[epistle]]s and letters, [[hymns]] and poems, and commemorative [[Autobiography|autobiographical]] texts recounting the careers of prominent administrative officials. It was not until the early [[Middle Kingdom of Egypt|Middle Kingdom]] (21st century BC to 17th century BC) that a narrative Egyptian literature was created.<ref>Lichtheim, Miriam (1975). ''Ancient Egyptian Literature'', vol 1. London, England: University of California Press. {{ISBN|0-520-02899-6}}.</ref>
Many works of early periods, even in narrative form, had a covert moral or didactic purpose, such as the Sanskrit ''[[Panchatantra]]''.200 BC – 300 AD, based on older oral tradition.<!-- Empty reference <ref name="Olivelle1999xii"/--><ref>{{Harvnb|Jacobs|1888}}, Introduction, page xv; {{Harvnb|Ryder|1925}}, Translator's introduction, quoting Hertel: "the original work was composed in Kashmir, about 200 B.C. At this date, however, many of the individual stories were already ancient."</ref><ref name=niti>{{Harvnb|Ryder|1925}} Translator's introduction: "The ''Panchatantra'' is a ''niti-shastra'', or textbook of ''niti''. The word ''niti'' means roughly "the wise conduct of life." Western civilization must endure a certain shame in realizing that no precise equivalent of the term is found in English, French, Latin, or Greek. Many words are therefore necessary to explain what ''niti'' is, though the idea, once grasped, is clear, important, and satisfying."</ref> [[Drama]] and [[satire]] also developed as urban culture provided a larger public audience, and later readership, for literary production. [[Lyric poetry]] (as opposed to epic poetry) was often the speciality of courts and aristocratic circles, particularly in East Asia where songs were collected by the Chinese aristocracy as poems, the most notable being the ''Shijing'' or ''[[Book of Songs (Chinese)|Book of Songs]]'' (1046–c.600 BC), .{{sfnp|Baxter|1992|p=356}}{{sfnp|Allan|1991|p=39}}<ref>Zheng Xuan 鄭玄 (AD 127–200), ''Shipu xu'' 詩譜序.</ref>
[[File:LuxorTemple03.jpg|thumb|alt=Inscribed hieroglyphics cover an obelisk in foreground. A stone statue is in background.|[[Egyptian hieroglyphs]] with [[cartouche]]s for the name "[[Ramesses II]]", from the [[Luxor Temple]], [[New Kingdom]]]]
In [[Chinese classics|ancient China]], early literature was primarily focused on philosophy, [[historiography]], [[military science]], agriculture, and [[Chinese poetry|poetry]]. China, the origin of modern [[paper making]] and [[woodblock printing]], produced the world's first [[print culture]]s.<ref>A Hyatt Mayor, Prints and People, Metropolitan Museum of Art/Princeton, 1971, nos 1–4. {{ISBN|0-691-00326-2}}</ref> Much of Chinese literature originates with the [[Hundred Schools of Thought]] period that occurred during the [[Zhou Dynasty|Eastern Zhou Dynasty]] (769‒269 BC).<ref>[https://www.britannica.com/topic/Chinese-philosophy#ref171469 "Chinese philosophy"], Encyclopædia Britannica, online</ref> The most important of these include the Classics of [[Confucianism]], of [[Taoism|Daoism]], of [[Mohism]], of [[Legalism (Chinese philosophy)|Legalism]], as well as works of military science (e.g. [[Sun Tzu]]'s ''[[The Art of War]]'', c.5th century BC)) and [[History of China|Chinese history]] (e.g. [[Sima Qian]]'s ''[[Records of the Grand Historian]]'', c.94 BC). Ancient Chinese literature had a heavy emphasis on historiography, with often very detailed court records. An exemplary piece of [[narrative history]] of ancient China was the ''[[Zuo Zhuan]]'', which was compiled no later than 389 BC, and attributed to the blind 5th-century BC historian [[Zuo Qiuming]].<ref>{{Cite journal|last1=Lin|first1=Liang-Hung|last2=Ho|first2=Yu-Ling|date=2009|title=Confucian dynamism, culture and ethical changes in Chinese societies – a comparative study of China, Taiwan, and Hong Kong|url=http://www.tandfonline.com/doi/abs/10.1080/09585190903239757|journal=The International Journal of Human Resource Management|language=en|volume=20|issue=11|pages=2402–2417|doi=10.1080/09585190903239757|s2cid=153789769|issn=0958-5192}}</ref>
In [[Indian literature#In archaic Indian languages|ancient India]], literature originated from stories that were originally orally transmitted. Early genres included [[Sanskrit drama|drama]], [[Panchatantra|fables]], [[Sūtra|sutras]] and [[Indian epic poetry|epic poetry]]. [[Sanskrit literature]] begins with the [[Vedas]], dating back to 1500–1000 BC, and continues with the [[Sanskrit Epics]] of [[Iron Age India]].<ref>see e.g. {{Harvnb|Radhakrishnan|Moore|1957|p=3}}; Witzel, Michael, "Vedas and {{IAST|Upaniṣads}}", in: {{Harvnb|Flood|2003|p=68}}; {{Harvnb|MacDonell|2004|pp=29–39}}; ''Sanskrit literature'' (2003) in Philip's Encyclopedia. Accessed 2007-08-09</ref><ref>Sanujit Ghose (2011). "[https://www.worldhistory.org/article/230/ Religious Developments in Ancient India]" in ''Ancient History Encyclopedia''.</ref> The Vedas are among the [[Ancient literature|oldest sacred texts]]. The Samhitas (vedic collections) date to roughly 1500–1000 BC, and the "circum-Vedic" texts, as well as the [[shakha|redaction]] of the Samhitas, date to c. 1000‒500 BC, resulting in a [[Vedic period]], spanning the mid-2nd to mid 1st millennium BC, or the [[Bronze Age|Late Bronze Age]] and the [[Iron Age India|Iron Age]].<ref name="Flood">[[Gavin Flood]] sums up mainstream estimates, according to which the Rigveda was compiled from as early as 1500 BC over a period of several centuries. {{Harvnb|Flood|1996|p=37}}</ref> The period between approximately the 6th to 1st centuries BC saw the composition and redaction of the two most influential Indian epics, the ''[[Mahabharata]]''<ref name="Lochtefeld2002">{{cite book|author=James G. Lochtefeld|title=The Illustrated Encyclopedia of Hinduism: A-M|url=https://books.google.com/books?id=5kl0DYIjUPgC&pg=PA399|year=2002|publisher=The Rosen Publishing Group|isbn=978-0-8239-3179-8|page=399}}</ref><ref name="SharmaGaur2000">{{cite book|author1=T. R. S. Sharma|author2=June Gaur|author3=Sahitya Akademi (New Delhi, Inde).|title=Ancient Indian Literature: An Anthology|url=https://books.google.com/books?id=IRp1PKX0BXoC&pg=PA137|year=2000|publisher=Sahitya Akademi|isbn=978-81-260-0794-3|page=137}}</ref> and the ''[[Ramayana]]'',<ref>{{Cite web|url=https://www.britannica.com/topic/Ramayana-Indian-epic|title=Ramayana {{!}} Summary, Characters, & Facts|website=Encyclopedia Britannica|language=en|access-date=2020-02-18}}</ref> with subsequent redaction progressing down to the 4th century AD. Other major literary works are [[Ramcharitmanas]]<ref name="Lutgendorf 1991, p. 1">Lutgendorf 1991, p. 1.</ref> & Krishnacharitmanas.
The earliest known Greek writings are [[Mycenaean language|Mycenaean]] (c.1600–1100 BC), written in the [[Linear B]] syllabary on clay tablets. These documents contain prosaic records largely concerned with trade (lists, inventories, receipts, etc.); no real literature has been discovered.<ref>{{cite book|last1=Chadwick|first1=John|title=The Decipherment of Linear B|date=1967|publisher=Cambridge University Press|location=Cambridge, England|isbn=978-1-107-69176-6|page=101|edition=Second}} "The glimpse we have suddenly been given of the account books of a long-forgotten people..."</ref><ref name="VentrisChadwick">{{cite book|last1=Ventris|first1=Michael|last2=Chadwick|first2=John|title=Documents in Mycenaean Greek|date=1956|publisher=Cambridge University Press|location=Cambridge, England|isbn=978-1-107-50341-0|page=xxix|url=https://books.google.com/books?id=AkgPCAAAQBAJ&q=Why+have+no+works+of+Linear+B+literature+survived%3F&pg=PR29}}</ref> [[Michael Ventris]] and [[John Chadwick]], the original decipherers of Linear B, state that literature almost certainly existed in [[Mycenaean Greece]],<ref name="VentrisChadwick"/> but it was either not written down or, if it was, it was on parchment or wooden tablets, which did not survive the [[Late Bronze Age collapse#Greece|destruction of the Mycenaean palaces in the twelfth century BC]].<ref name="VentrisChadwick"/>
[[Homer]]'s, [[epic poems]] the ''[[Iliad]]'' and the ''[[Odyssey]]'', are central works of [[ancient Greek literature]]. It is generally accepted that the poems were composed at some point around the late eighth or early seventh century BC.<ref>{{cite book|last1=Croally|first1=Neil|last2=Hyde|first2=Roy|title=Classical Literature: An Introduction|publisher=Routledge|isbn=978-1136736629|page=26|url=https://books.google.com/books?id=g-arAgAAQBAJ&pg=PA26|access-date=23 November 2016|language=en|year=2011}}</ref> Modern scholars consider these accounts [[legend]]ary.<ref>{{cite book|last1=Wilson|first1=Nigel|title=Encyclopedia of Ancient Greece|publisher=Routledge|isbn=978-1136788000|pages=366|url=https://books.google.com/books?id=8pXhAQAAQBAJ&pg=PA366|access-date=22 November 2016|language=en|year=2013}}</ref><ref>{{cite book|last1=Romilly|first1=Jacqueline de|title=A Short History of Greek Literature|publisher=University of Chicago Press|isbn=978-0226143125|url=https://books.google.com/books?id=y_DTllltXBQC&pg=PA1|pages=1|access-date=22 November 2016|language=en|year=1985}}</ref><ref name=bgr>{{cite book|last1=Graziosi|first1=Barbara|title=Inventing Homer: The Early Reception of Epic|publisher=Cambridge University Press|isbn=978-0521809665|url=https://books.google.com/books?id=vCHsh9QWzLYC&pg=PA15|pages=15|access-date=22 November 2016|language=en|year=2002}}</ref> Most researchers believe that the poems were originally [[Oral tradition|transmitted orally]].<ref>{{cite book|last1=Ahl|first1=Frederick|last2=Roisman|first2=Hanna|title=The Odyssey Re-formed|publisher=Cornell University Press|isbn=978-0801483356|url=https://books.google.com/books?id=dB27oJJb_NYC&pg=PA7|access-date=23 November 2016|language=en|year=1996}}</ref> From [[Classical antiquity|antiquity]] until the present day, the influence of Homeric epic on [[Western culture|Western civilization]] has been great, inspiring many of its most famous works of literature, music, art and film.<ref>{{cite book|last1=Latacz|first1=Joachim|title=Homer, His Art and His World|publisher=University of Michigan Press|isbn=978-0472083534|url=https://books.google.com/books?id=JzRhA7q7ZuMC&pg=PA2|access-date=22 November 2016|language=en|year=1996}}</ref> The Homeric epics were the greatest influence on ancient Greek culture and education; to [[Plato]], Homer was simply the one who "has taught Greece" – ''ten Hellada pepaideuken''.<ref>{{cite book|last1=Too|first1=Yun Lee|title=The Idea of the Library in the Ancient World|publisher=OUP Oxford|isbn=978-0199577804|page=86|url=https://books.google.com/books?id=fGsVDAAAQBAJ&pg=PA86|access-date=22 November 2016|language=en|year=2010}}</ref><ref>{{cite book|last1=MacDonald|first1=Dennis R.|author-link=Dennis R. MacDonald|title=Christianizing Homer: The Odyssey, Plato, and the Acts of Andrew|publisher=Oxford University Press|isbn=978-0195358629|page=17|url=https://books.google.com/books?id=17xEDe6_Jt4C&pg=PA17|access-date=22 November 2016|language=en|url-status=live|archive-url=https://web.archive.org/web/20170630083720/https://books.google.com/books?id=17xEDe6_Jt4C&pg=PA17|archive-date=30 June 2017|year=1994}}</ref> [[Hesiod]]'s [[Works and Days]] (c.700 BC) and [[Theogony]], are some of the earliest, and most influential, of ancient Greek literature. Classical Greek genres included philosophy, [[poetry]], historiography, [[comedies]] and [[drama]]s. [[Plato]] (428/427 or 424/423 – 348/347 BC) and [[Aristotle]] (384–322 BC) authored philosophical texts that are the foundation of [[Western philosophy]], [[Sappho]] (c. 630 – c. 570 BC) and [[Pindar]] were influential [[lyric poetry|lyric poets]], and [[Herodotus]] (c. 484 – c. 425 BC) ) and [[Thucydides]] were early Greek historians. Although drama was popular in ancient Greece, of the hundreds of [[tragedy|tragedies]] written and performed during the [[classical age]], only a limited number of plays by three authors still exist: [[Aeschylus]], [[Sophocles]], and [[Euripides]]. The plays of [[Aristophanes]] (c. 446 – c. 386 BC) provide the only real examples of a genre of comic drama known as [[Ancient Greek comedy|Old Comedy]], the earliest form of Greek Comedy, and are in fact used to define the genre.<ref>''Aristophanes: Butts'' K.J.Dover (ed), Oxford University Press 1970, Intro. p. x.</ref>
The [[Hebrew]] religious text, the [[Torah]], is widely seen as a product of the [[Persian period]] (539–333 BC, probably 450–350 BC).{{Sfn|Frei|2001|p=6}} This consensus echoes a traditional Jewish view which gives [[Ezra]], the leader of the Jewish community on its return from Babylon, a pivotal role in its promulgation.{{sfn|Romer|2008|p=2 and fn.3}} This represents a major source of Christianity's [[Bible]], which has been a major influence on Western literature.<ref>{{cite book |title= The Bible: A Very Short Introduction|last= Riches|first= John|year= 2000|publisher= Oxford University Press|location= Oxford|isbn= 978-0-19-285343-1|page= 134}}</ref>
The beginning of [[Roman literature]] dates to 240 BC, when a Roman audience saw a Latin version of a Greek play.<ref>Duckworth, George Eckel. [https://books.google.com/books?id=BuLEo5U9sb0C&pg=PA3&dq#v=onepage&q&f=false ''The nature of Roman comedy: a study in popular entertainment.''] University of Oklahoma Press, 1994. p. 3. Web. 15 October 2011.</ref> Literature in [[latin]] would flourish for the next six centuries, and includes essays, histories, poems, plays, and other writings.
The [[Qur'an]] (610 AD to 632 AD)<ref>{{cite book|last=Donner|first=Fred|title=Muhammad and the Believers: at the Origins of Islam|url=https://archive.org/details/muhammadbeliever00donn|url-access=limited|year=2010|publisher=Harvard University Press|location=London, England|isbn=978-0-674-05097-6|pages=[https://archive.org/details/muhammadbeliever00donn/page/n173 153]–154}}</ref> ), the main [[Religious text|holy book]] of [[Islam]], had a significant influence on the Arab language, and marked the beginning of [[Islamic literature]]. Muslims believe it was transcribed in the Arabic dialect of the [[Quraysh]], the tribe of [[Muhammad]].<ref name=":0" /><ref>{{cite web |date=2019-09-08 |title=الوثائقية تفتح ملف "اللغة العربية" |url=https://doc.aljazeera.net/followup/الوثائقية-تفتح-ملف-اللغة-العربية/ |access-date=2020-06-18 |website=الجزيرة الوثائقية |language=ar}}</ref> As Islam spread, the Quran had the effect of unifying and standardizing Arabic.<ref name=":0" />
Theological works in Latin were the dominant form of [[Mediaeval literature#Types of writing|literature]] in Europe typically found in libraries during the [[Middle Ages]]. [[Western culture|Western]] [[Vernacular literature]] includes the [[Poetic Edda]] and the [[sagas]], or heroic epics, of Iceland, the Anglo-Saxon ''[[Beowulf]]'', and the German ''[[Song of Hildebrandt]]''. A later form of [[Mediaeval literature|medieval fiction]] was the [[Romance (heroic literature)|romance]], an adventurous and sometimes magical narrative with strong popular appeal.<ref>{{Cite web|url=https://www.britannica.com/art/Western-literature|title=Western literature - Medieval literature|website=Encyclopedia Britannica}}</ref>
Controversial, religious, political and instructional literature proliferated during the European [[Renaissance]] as a result of the [[Johannes Gutenberg]]'s invention of the [[printing press]]<ref>Elizabeth L. Eisenstein, ''The Printing Press as an Agent of Change''. Cambridge University Press, 1980</ref> around 1440, while the [[Medieval romance]] developed into the [[novel]],<ref name="The True Story of the Novel">Margaret Anne Doody, [https://archive.org/details/truestoryofnovel0000dood/page/1 ''The True Story of the Novel'']. New Brunswick, NJ: Rutgers University Press, 1996, rept. 1997, p.&nbsp;1. Retrieved 21 October 2020.</ref>
=== Publishing ===
[[File:Jingangjing.jpg|thumb|The intricate frontispiece of the [[Diamond Sutra]] from [[Tang dynasty]] China, the world's earliest dated printed book, AD 868 ([[British Library]])]]
Publishing became possible with the [[history of writing|invention of writing]], but became more practical with the [[History of printing|invention of printing]]. Prior to printing, distributed works were copied manually, by [[scribe]]s.
The Chinese inventor [[Bi Sheng]] made [[movable type]] of earthenware c. 1045. Then c.1450, separately [[Johannes Gutenberg]] invented movable type in Europe. This invention gradually made books less expensive to produce and more widely available.


There have been various attempts to define "literature".<ref name=meyer>{{cite journal|last=Meyer|first=Jim|title=What is Literature? A Definition Based on Prototypes|journal=Work Papers of the Summer Institute of Linguistics, University of North Dakota Session|year=1997|volume=41|issue=1|url=http://www.und.nodak.edu/dept/linguistics/wp/1997Meyer.htm|accessdate=11 February 2014}}</ref>  Simon and Delyse Ryan begin their attempt to answer the question "What is Literature?" with the observation:
Early printed books, single sheets and images which were created before 1501 in Europe are known as [[incunable]]s or ''incunabula''. "A man born in 1453, the year of the fall of Constantinople, could look back from his fiftieth year on a lifetime in which about eight million books had been printed, more perhaps than all the scribes of Europe had produced since Constantine founded his city in A.D. 330."<ref>[[Michael Clapham (industrialist)|Clapham, Michael]], "Printing" in ''A History of Technology'', Vol 2. ''From the Renaissance to the Industrial Revolution'', edd. Charles Singer ''et al.'' (Oxford 1957), p. 377. Cited from [[Elizabeth L. Eisenstein]], ''The Printing Press as an Agent of Change'' (Cambridge University, 1980).</ref>
<blockquote>The quest to discover a definition for "literature" is a road that is much travelled, though the point of arrival, if ever reached, is seldom satisfactory. Most attempted definitions are broad and vague, and they inevitably change over time. In fact, the only thing that is certain about defining literature is that the definition will change. Concepts of what is literature change over time as well.
<ref name=acu>{{cite web|title=What is Literature?|url=http://dlibrary.acu.edu.au/staffhome/siryan/academy/foundation/what_is_literature.htm|work=Foundation: Fundamentals of Literature and Drama|publisher=Australian Catholic University|accessdate=9 February 2014|author=Simon Ryan|author2=Delyse Ryan }}</ref></blockquote>
Definitions of literature have varied over time; it is a "culturally relative definition".<ref name="Leitch ''et al.'', ''The Norton Anthology of Theory and Criticism'', 28">Leitch ''et al.'', ''The Norton Anthology of Theory and Criticism'', 28</ref> In [[Western Europe]] prior to the eighteenth century, literature as a term indicated all books and writing.<ref name="Leitch ''et al.'', ''The Norton Anthology of Theory and Criticism'', 28" /> A more restricted sense of the term emerged during the [[Romanticism|Romantic period]], in which it began to demarcate "imaginative" literature.<ref name="Ross, The Emergence of Literature: Making and Reading the English Canon in the Eighteenth Century, 406">Ross, "The Emergence of "Literature": Making and Reading the English Canon in the Eighteenth Century", 406</ref><ref name="Eagleton, ''Literary theory: an introduction'', 16">Eagleton, ''Literary theory: an introduction'', 16</ref> Contemporary debates over what constitutes literature can be seen as returning to the older, more inclusive notion of what constitutes literature. [[Cultural studies]], for instance, takes as its subject of analysis both popular and minority genres, in addition to [[Western canon|canonical works]].


The [[value judgment]] definition of literature considers it to cover exclusively those writings that possess high quality or distinction, forming part of the so-called ''[[belles-lettres]]'' ('fine writing') tradition.<ref name="Eagleton, ''Literary theory: an introduction'', 9">Eagleton, ''Literary theory: an introduction'', 9</ref> This sort of definition is that used in the [[Encyclopædia Britannica Eleventh Edition|''Encyclopædia Britannica'' Eleventh Edition]] (1910–11) when it classifies literature as "the best expression of the best thought reduced to writing."<ref name="Biswas, ''Critique of Poetics'', 538">Biswas, ''Critique of Poetics'', 538</ref> Problematic in this view is that there is no objective definition of what constitutes "literature": anything can be literature, and anything which is universally regarded as literature has the potential to be excluded, since value judgments can change over time.<ref name="Eagleton, ''Literary theory: an introduction'', 9" />
Eventually, printing enabled other forms of publishing besides books. The [[History of newspaper publishing|history of modern newspaper publishing]] started in Germany in 1609, with [[magazine#History|publishing of magazines]] following in 1663.


The [[Formalism (literature)|formalist]] definition is that "literature" foregrounds poetic effects; it is the "literariness" or "poetic" of literature that distinguishes it from ordinary speech or other kinds of writing (e.g., [[journalism]]).<ref name="Leitch ''et al.'', ''The Norton Anthology of Theory and Criticism'', 4">Leitch ''et al.'', ''The Norton Anthology of Theory and Criticism'', 4</ref><ref name="Eagleton, ''Literary theory: an introduction'', 2–6">Eagleton, ''Literary theory: an introduction'', 2–6</ref> Jim Meyer considers this a useful characteristic in explaining the use of the term to mean published material in a particular field (e.g., "[[scientific literature]]"), as such writing must use language according to particular standards.<ref name=meyer /> The problem with the formalist definition is that in order to say that literature deviates from ordinary uses of language, those uses must first be identified; this is difficult because "[[ordinary language]]" is an unstable category, differing according to social categories and across history.<ref name="Eagleton, ''Literary theory: an introduction'', 4">Eagleton, ''Literary theory: an introduction'', 4</ref>
=== University discipline ===
==== In England ====
{{main|English studies}}


[[Etymology|Etymologically]], the term derives from [[Latin language|Latin]] ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter".<ref name=oetyd>{{cite web|title=literature (n.)|url=http://www.etymonline.com/index.php?term=literature&allowed_in_frame=0|publisher=Online Etymology Dictionary|accessdate=9 February 2014}}</ref> In spite of this, the term has also been applied to [[Oral literature|spoken or sung texts]].<ref name=meyer /><ref>{{cite journal|last=Finnegan|first=Ruth|title=How Oral Is Oral Literature?|journal=Bulletin of the School of Oriental and African Studies|year=1974|volume=37|issue=1|pages=52–64|jstor=614104|doi=10.1017/s0041977x00094842 }} {{subscription required}}</ref>
In England in the late 1820s, growing political and social awareness, "particularly among the [[utilitarians]] and [[Jeremy Bentham|Bentham]]ites, promoted the possibility of including courses in English literary study in the newly formed [[London University]]". This further developed into the idea of the study of literature being "the ideal carrier for the propagation of the humanist cultural myth of a welleducated, culturally harmonious nation".<ref>{{Cite web|url=http://oldsite.english.ucsb.edu/faculty/rraley/research/english/court.html|title=Court: Institutionalizing English Literature|website=oldsite.english.ucsb.edu}}</ref>


== Major forms ==
==== America ====
[[American Literature (academic discipline)]]


=== Poetry ===
=== Women and literature ===
{{Main article|Poetry}}
{{Further|French literature|German literature|Russian literature|5=English poetry#Women poets in the 18th century}}
[[File:Calligramme.jpg|thumb|right|A [[calligram]] by [[Guillaume Apollinaire]]. These are a type of poem in which the written words are arranged in such a way to produce a visual image.]]
 
Poetry is a form of literary art which uses [[Aesthetics|aesthetic]] and [[rhythm]]ic qualities of language to evoke meanings in addition to, or in place of, [[Prose|prosaic]] ostensible meaning.<ref name=oedpoetry>{{cite web|title=poetry, n.|url=http://www.oed.com/view/Entry/146552|work=Oxford English Dictionary|publisher=OUP|accessdate=13 February 2014}} {{subscription required}}</ref> Poetry has traditionally been distinguished from [[prose]] by its being set in [[Verse (poetry)|verse]];{{efn|This distinction is complicated by various hybrid forms such as the [[prose poem]]<ref name=prosepoemaap>{{cite web|title=Poetic Form: Prose Poem|url=http://www.poets.org/viewmedia.php/prmMID/5787|work=Poets.org|publisher=Academy of American Poets|accessdate=15 February 2014}}</ref> and [[prosimetrum]],<ref name="Preminger, ''The New Princeton Encyclopedia of Poetry and Poetics'', 981">Preminger, ''The New Princeton Encyclopedia of Poetry and Poetics'', 981</ref> and more generally by the fact that prose possesses rhythm.<ref name="Preminger, ''The New Princeton Encyclopedia of Poetry and Poetics'', 979">Preminger, ''The New Princeton Encyclopedia of Poetry and Poetics'', 979</ref> Abram Lipsky refers to it as an "open secret" that "prose is not distinguished from poetry by lack of rhythm".<ref name=lipsky>{{cite journal|last=Lipsky|first=Abram|title=Rhythm in Prose|journal=The Sewanee Review|year=1908|volume=16|issue=3|pages=277–89|url=http://www.jstor.org/stable/27530906|accessdate=15 February 2014}} {{subscription required}}</ref>}} prose is cast in [[Sentence (linguistics)|sentences]], poetry in [[Line (poetry)|lines]]; the [[syntax]] of prose is dictated by meaning, whereas that of poetry is held across metre or the visual aspects of the poem.<ref name="Preminger, ''The New Princeton Encyclopedia of Poetry and Poetics'', 938–9">Preminger, ''The New Princeton Encyclopedia of Poetry and Poetics'', 938–9</ref> Prior to the nineteenth century, poetry was commonly understood to be something set in metrical lines; accordingly, in 1658 a definition of poetry is "any kind of subject consisting of Rythm or Verses".<ref name=oedpoetry /> Possibly as a result of [[Aristotle]]'s influence (his ''[[Poetics (Aristotle)|Poetics]]''), "poetry" before the nineteenth century was usually less a technical designation for verse than a normative category of fictive or rhetorical art.<ref name="Ross, The Emergence of Literature: Making and Reading the English Canon in the Eighteenth Century, 406">Ross, "The Emergence of "Literature": Making and Reading the English Canon in the Eighteenth Century", 398</ref> As a form it may pre-date [[literacy]], with the earliest works being composed within and sustained by an oral tradition;<ref>{{cite book|last=Finnegan|first=Ruth H.|title=Oral poetry: its nature, significance, and social context|year=1977|publisher=Indiana University Press|page=66}}</ref><ref name=magoun>{{cite journal|last=Magoun, Jr.|first=Francis P.|title=Oral-Formulaic Character of Anglo-Saxon Narrative Poetry|journal=Speculum|year=1953|volume=28|issue=3|pages=446–67|jstor=2847021|doi=10.2307/2847021}} {{subscription required}}</ref> hence it constitutes the earliest example of literature.
The widespread education of women was not common until the nineteenth century, and because of this literature until recently was mostly [[Western canon#Historical exclusion of women|male dominated]].<ref>{{Cite web|url=http://www.ibiblio.org/cheryb/women/wlit.html|title=Women and Literature|website=www.ibiblio.org}}</ref>
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There are few women poets writing in English, whose names are remembered, until the twentieth century. In the [[English poetry#Victorian poetry|nineteenth century]] some names that stand out are [[Emily Brontë]], [[Elizabeth Barrett Browning]], and [[Emily Dickinson]] (see [[American poetry]]). But while generally women are absent from the European cannon of [[Romantic poetry|Romantic literature]], there is one notable exception, the French novelist and memoirist Amantine Dupin (1804 – 1876) best known by her pen name [[George Sand]].<ref>{{cite book |last1=Hart |first1=Kathleen |title=Revolution and Women's Autobiography in Nineteenth-century France |date=2004 |publisher=Rodopi |page=91}}</ref><ref>{{cite book |last1=Lewis |first1=Linda M. |title=Germaine de Staël, George Sand, and the Victorian Woman Artist |date=2003 |publisher=University of Missouri Press |page=48}}</ref> One of the more popular writers in Europe in her lifetime,<ref name="Eisler 2018">{{cite news |last1=Eisler |first1=Benita |title='George Sand' Review: Monstre Sacré |url=https://www.wsj.com/articles/george-sand-review-monstre-sacre-1528489494 |access-date=2018-11-06 |work=WSJ |date=8 June 2018}}</ref> being more renowned than both [[Victor Hugo]] and [[Honoré de Balzac]] in England in the 1830s and 1840s,<ref name="Thomson 1972">{{cite journal |last1= Thomson |first1= Patricia |date= July 1972 |title= George Sand and English Reviewers: The First Twenty Years |journal=[[Modern Language Review]]|volume= 67 |issue= 3 |pages= 501–516 |doi= 10.2307/3726119 |jstor= 3726119 }}</ref> Sand is recognised as one of the most notable writers of the European Romantic era. [[Jane Austen]] (1775 – 1817) is the first major English woman novelist, while [[Aphra Behn]] is an early female dramatist.
 
[[Nobel Prize in Literature|Nobel Prizes in Literature]] have been awarded between 1901 and 2020 to 117 individuals: 101 men and 16 women. [[Selma Lagerlöf]] (1858 – 1940) was the first woman to win the [[Nobel Prize in Literature]], which she was awarded in 1909. Additionally, she was the first woman to be granted a membership in The [[Swedish Academy]] in 1914.<ref name=":0j">{{Cite book|title=Swedish Women's Writing 1850-1995|last=Forsas-Scott|first=Helena|publisher=The Athlone Press|year=1997|isbn=0485910039|location=London|pages=63}}</ref>
 
[[Feminism|Feminist scholars]] have since the twentieth century sought [[Women's writing (literary category)#Rediscovering ignored works from the past|expand the literary canon]] to include more women writers.
 
=== Children's literature ===
 
A separate genre of [[children's literature]] only began to emerge in the eighteenth century, with the development of the concept of [[childhood]].<ref name=nikola>{{cite book |editor-last=Nikolajeva |editor-first=María |editor-link=Maria Nikolajeva |title=Aspects and Issues in the History of Children's Literature |year=1995 |publisher=Greenwood |url=https://books.google.com/books?id=ubZL9V1L9fEC&pg=PR9 |isbn= 978-0-313-29614-7}}</ref>{{rp|x-xi}} The earliest of these books were educational books, books on conduct, and simple ABCs—often decorated with animals, plants, and anthropomorphic letters.<ref>•Lyons, Martyn. 2011. Books: a living history. Los Angeles: J. Paul Getty Museum.</ref>
 
==Aesthetics==
{{Further|Aesthetic judgment|Value judgment}}
 
=== Literary theory ===
{{Further|Literary theory|Philosophy and literature#The philosophy of literature}}
A fundamental question of [[literary theory]] is "what is literature?" &ndash; although many contemporary theorists and literary scholars believe either that "literature" cannot be defined or that it can refer to any use of language.<ref>{{Cite journal|last=Sullivan|first=Patrick|date=2002-01-01|title="Reception Moments," Modern Literary Theory, and the Teaching of Literature|jstor=40012241|journal=Journal of Adolescent & Adult Literacy|volume=45|issue=7|pages=568–577}}</ref>
 
===Literary fiction===
{{Further|Western canon#Literary canon}}
[[File:Parnaso 09.jpg|left|thumb|[[Dante]], [[Homer]] and [[Virgil]] in [[Raphael Sanzio|Raphael]]'s ''[[The Parnassus|Parnassus]]'' fresco (1511), key figures in the Western canon]]
[[Literary fiction]] is a term used to describe [[fiction]] that explores any facet of the [[human condition]], and may involve [[social commentary]]. It is often regarded as having more artistic merit than [[genre fiction]], especially the most commercially oriented types, but this has been contested in recent years, with the serious study of genre fiction within universities.<ref>Matthew Schneider-Mayerson, "Popular Fiction Studies: The Advantages of a New Field". ''Studies in Popular Culture'', Vol. 33, No. 1 (Fall 2010), pp. 21-3</ref>
 
The following, by the award-winning British author [[William Boyd (writer)|William Boyd]] on the short story, might be applied to all prose fiction:
 
<blockquote>[short stories] seem to answer something very deep in our nature as if, for the duration of its telling, something special has been created, some essence of our experience extrapolated, some temporary sense has been made of our common, turbulent journey towards the grave and oblivion.<ref>{{Cite news|url=https://www.prospectmagazine.co.uk/magazine/william-boyd-short-history-of-the-short-story|title=A short history of the short story|last=Boyd|first=William|access-date=2018-04-17|language=en-US}}</ref></blockquote>
 
The very best in literature is annually recognized by the [[Nobel Prize in Literature]], which is awarded to an author from any country who has, in the words of the will of Swedish industrialist [[Alfred Nobel]], produced "in the field of literature the most outstanding work in an ideal direction" (original Swedish: ''den som inom litteraturen har producerat det mest framstående verket i en idealisk riktning'').<ref name='nobelorglit'>{{cite web|url=https://www.nobelprize.org/prizes/literature/ |title=The Nobel Prize in Literature |access-date= | work=nobelprize.org}}</ref><ref name='swedishref'>{{cite news |author=John Sutherland |title=Ink and Spit |publisher=The Guardian |url=http://books.guardian.co.uk/review/story/0,,2189673,00.html |work=Guardian Unlimited Books |date=13 October 2007 |access-date=13 October 2007 }}</ref>
 
===The value of imaginative literature===
 
Some researchers suggest that literary fiction can play a role in an individual's psychological development.<ref>{{Cite book |url=https://books.google.com/books?id=vBcsaEQmwBEC&q=literature+importance+in+psychology+reading&pg=PT10 |title=So-called "Alternative FLL-Approaches" |last=Oebel |first=Guido |publisher=GRIN Verlag |year=2001 |isbn=9783640187799 |location=Norderstedt |language=en}}</ref> Psychologists have also been using literature as a therapeutic tool.<ref>{{Cite book |title=Discontinuous Discourses in Modern Russian Literature |last1=Makin |first1=Michael |last2=Kelly |first2=Catriona |last3=Shepher |first3=David |last4=de Rambures |first4=Dominique |publisher=Palgrave Macmillan |year=1989 |isbn=9781349198511 |location=New York |pages=122}}</ref><ref>{{Cite book |title=Children's Literature and its Effects |last=Cullingford |first=Cedric |publisher=A&C Black |year=1998 |isbn=0304700924 |location=London |pages=5}}</ref> Psychologist Hogan argues for the value of the time and emotion that a person devotes to understanding a character's situation in literature;{{sfn|Hogan|2011|p=10}} that it can unite a large community by provoking universal emotions, as well as allowing readers access to different cultures, and new emotional experiences.{{sfn|Hogan|2011|p=11}} One study, for example, suggested that the presence of familiar cultural values in literary texts played an important impact on the performance of minority students.<ref>{{Cite book |title=Handbook of Child Psychology, Child Psychology in Practice |last1=Damon |first1=William |last2=Lerner |first2=Richard |last3=Renninger |first3=Ann |last4=Sigel |first4=Irving |publisher=John Wiley & Sons |year=2006| isbn=0471272876 |location=Hoboken, NJ |pages=90}}</ref>
 
Psychologist [[Abraham Maslow|Maslow's]] ideas help literary critics understand how characters in literature reflect their personal culture and the history.{{sfn|Paris|1986|p=61}} The theory suggests that literature helps an individual's struggle for self-fulfilment.{{sfn|Paris|1986|p=25}}<ref name="Nezami, S. R. A. 2012">{{Cite journal |last=Nezami |first=S.R.A. |date=February 2012 |title=The use of figures of speech as a literary device—a specific mode of expression in English literature |url=http://go.galegroup.com/ps/i.do?action=interpret&id=GALE%7CA283834622&v=2.1&it=r&p=AONE&sw=w&authCount=1 |journal=Language in India |volume=12 |issue=2 |pages=659–}}{{Dead link|date=January 2021}}</ref>
 
== The influence of religious texts ==
{{expand section|date=November 2020}}
{{Further|Islamic literature|King James Version#Influence}}
 
Religion has had a major influence on literature, through works like the [[Vedas]], the [[Torah]], the [[Bible]],<ref>
{{cite book
|last1                = Riches
|first1              = John
|orig-date            = 2000
|chapter              = The Bible in high and popular culture
|title                = The Bible: a Very Short Introduction
|url                  = https://books.google.com/books?id=07dFEAAAQBAJ
|series              = Volume 14 in Very Short Introductions Series
|edition              = 2
|location            = Oxford
|publisher           = Oxford University Press
|publication-date    = 2021
|page                 = 115
|isbn                = 9780198863335
|access-date          = 23 February 2022
|quote                = In its various translations, [the Bible] has had a formative influence on the language, the literature, the art, the music of all the major European and North American cultures. It continues to influence popular culture in films, novels, and music.
}}  
</ref>
and the [[Qur'an]].<ref>{{Cite web|url=https://www.britannica.com/topic/Islamic-arts|title=Islamic arts - Islamic literatures |website= Encyclopedia Britannica}}</ref><ref>{{cite book |title=The Bible: A Very Short Introduction|last=Riches |first= John |year=2000 |publisher=Oxford University Press |location=Oxford |isbn=978-0-19-285343-1 |page=134}}</ref><ref>{{Cite web|url=https://www.britannica.com/topic/Hinduism|title=Hinduism - Vernacular literatures|website=Encyclopedia Britannica}}</ref>


=== Prose ===
The [[King James Version]] of the Bible has been called "the most influential version of the most influential book in the world, in what is now its most influential language", "the most important book in English religion and culture", and "the most celebrated book in the [[English-speaking world]]"{{cn|date=February 2022}} - principally because of its literary style and widespread distribution. Prominent [[Atheism |atheist]] figures such as the late [[Christopher Hitchens]] and [[Richard Dawkins]] have praised the King James Version as being "a giant step in the maturing of English literature" and "a great work of literature", respectively, with Dawkins then adding, "A native speaker of English who has never read a word of the King James Bible is verging on the barbarian".<ref>{{cite magazine|url= https://www.vanityfair.com/culture/2011/05/hitchens-201105?currentPage=all|title= When the King Saved God |year= 2011|magazine= [[Vanity Fair (magazine) |Vanity Fair]]|access-date= 10 August 2017}}
{{Main article|Prose}}
</ref><ref>
Prose is a form of [[language]] that possesses ordinary [[syntax]] and [[natural speech]] rather than rhythmic structure; in which regard, along with its measurement in sentences rather than lines, it differs from poetry.<ref name="Preminger, ''The New Princeton Encyclopedia of Poetry and Poetics'', 938–9" /><ref>{{cite web|title=Glossary: P|url=http://www.wwnorton.com/college/english/litweb10/glossary/P.aspx|work=LitWeb, the Norton Introduction to Literature Studyspace|accessdate=15 February 2014|author=Alison Booth|author2=Kelly J. Mays }}</ref> On the historical development of prose, Richard Graff notes that "[In the case of [[Ancient Greece]]] recent scholarship has emphasized the fact that formal prose was a comparatively late development, an "invention" properly associated with the [[Classical antiquity|classical period]]".<ref name=graff>{{cite journal|last=Graff|first=Richard|title=Prose versus Poetry in Early Greek Theories of Style|journal=Rhetorica: A Journal of the History of Rhetoric|year=2005|volume=23|issue=4|pages=303–35|jstor=10.1525/rh.2005.23.4.303|doi=10.1525/rh.2005.23.4.303}} {{subscription required}}</ref>
{{cite news|url= https://www.theguardian.com/science/2012/may/19/richard-dawkins-king-james-bible|title= Why I want all our children to read the King James Bible|date= 20 May 2012|newspaper=[[The Guardian]]|access-date= 10 August 2017}}</ref>
*'''[[Novel]]''': a long [[fiction]]al prose narrative. It was the form's close relation to [[Realism (arts)|real life]] that differentiated it from the [[chivalric romance]];<ref name="Goody, ''The Novel: History, Geography, and Culture'', 18">{{cite book|last=Goody|first=Jack|title=The Novel, Volume 1: History, Geography, and Culture|year=2006|publisher=Princeton UP|location=Princeton|isbn=978-0-691-04947-2|page=18|editor=Franco Moretti|chapter=From Oral to Written: An Anthropological Breakthrough in Storytelling}}</ref><ref name=brooklyn>{{cite web|title=The Novel|url=http://academic.brooklyn.cuny.edu/english/melani/cs6/novel.html|work=A Guide to the Study of Literature: A Companion Text for Core Studies 6, Landmarks of Literature|publisher=[[Brooklyn College]]|accessdate=22 February 2014}}</ref> in most European languages the equivalent term is ''roman'', indicating the proximity of the forms.<ref name=brooklyn /> In English, the term emerged from the [[Romance language]]s in the late fifteenth century, with the meaning of "news"; it came to indicate something new, without a distinction between fact or fiction.<ref name=sommerville>{{cite book|last=Sommerville|first=C. J.|year=1996|title=The News Revolution in England: Cultural Dynamics of Daily Information|location=Oxford|publisher=OUP|page=18}}</ref> Although there are many historical prototypes, so-called "novels before the novel",<ref name="Goody, ''The Novel: History, Geography, and Culture'', 19">Goody, ''The Novel: History, Geography, and Culture'', 19</ref> the modern novel form emerges late in cultural history — roughly during the eighteenth century.<ref name="Goody, ''The Novel: History, Geography, and Culture'', 20">Goody, ''The Novel: History, Geography, and Culture'', 20</ref> Initially subject to much criticism, the novel has acquired a dominant position amongst literary forms, both popularly and critically.<ref name=brooklyn /><ref name="Goody, ''The Novel: History, Geography, and Culture'', 29">Goody, ''The Novel: History, Geography, and Culture'', 29</ref><ref>{{cite book|title=The Novel, Volume 2: Forms and Themes|year=2006|publisher=Princeton UP|location=Princeton|isbn=978-0-691-04948-9|page=31|editor=Franco Moretti|chapter=The Novel in Search of Itself: A Historical Morphology}}</ref>
*'''[[Novella]]''': in purely quantitative terms, the novella exists between the novel and short story; the publisher [[Melville House Publishing|Melville House]] classifies it as "too short to be a novel, too long to be a short story".<ref name=antrim>{{cite web|last=Antrim|first=Taylor|title=In Praise of Short|url=http://www.thedailybeast.com/articles/2010/08/04/the-novella-is-making-a-comeback.html|publisher=[[The Daily Beast]]|accessdate=15 February 2014|year=2010}}</ref> There is no precise definition in terms of word or page count.<ref name="Giraldi 796">Giraldi 796</ref> [[Literary prize]]s and [[Publishing|publishing houses]] often have their own arbitrary limits,<ref name=ripatrazone>{{cite web|last=Ripatrazone|first=Nick|title=Taut, Not Trite: On the Novella|url=http://www.themillions.com/2013/09/taut-not-trite-on-the-novella.html|publisher=[[The Millions]]|accessdate=15 February 2014}}</ref> which vary according to their particular intentions. Summarising the variable definitions of the novella, William Giraldi concludes "[it is a form] whose identity seems destined to be disputed into perpetuity".<ref name="Giraldi 793">Giraldi 793</ref> It has been suggested that the size restriction of the form produces various stylistic results, both some that are shared with the novel or short story,<ref name="Giraldi 795–6">Giraldi 795–6</ref><ref name=fetherling>{{cite web|last=Fetherling|first=George|title=Briefly, the case for the novella|url=http://www.sevenoaksmag.com/commentary/94_comm1.html|publisher=Seven Oaks Magazine|accessdate=15 February 2014|year=2006}}</ref> and others unique to the form.<ref name=nortonolm>{{cite web|last=Norton|first=Ingrid|title=Of Form, E-Readers, and Thwarted Genius: End of a Year with Short Novels|url=http://www.openlettersmonthly.com/of-form-e-readers-and-thwarted-genius-end-of-a-year-with-short-novels/|publisher=[[Open Letters Monthly]]|accessdate=15 February 2014}}</ref>
*'''[[Short story]]''': a dilemma in defining the "short story" as a literary form is how to, or whether one should, distinguish it from any short narrative; hence it also has a contested origin,<ref name=boyd>{{cite web|last=Boyd|first=William|title=A short history of the short story|url=http://www.prospectmagazine.co.uk/magazine/william-boyd-short-history-of-the-short-story/#.Uxr1EoVVO-c|publisher=Prospect Magazine|accessdate=8 March 2014}}</ref> variably suggested as the earliest short narratives (e.g. the [[Bible]]), early short story writers (e.g. [[Edgar Allan Poe]]), or the clearly modern short story writers (e.g. [[Anton Chekhov]]).<ref name=colibaba>{{cite journal|last=Colibaba|first=Ştefan|title=The Nature of the Short Story: Attempts at Definition|journal=Synergy|year=2010|volume=6|issue=2|pages=220–230|url=http://synergy.ase.ro/issues/2010-vol6-no2/14-the-nature-of-the-short-story-attempts-at-definition.pdf|accessdate=6 March 2014}}</ref> Apart from its distinct size, various theorists have suggested that the short story has a characteristic subject matter or structure;<ref name=rohrberger>{{cite journal|last=Rohrberger|first=Mary|author2=Dan E. Burns |title=Short Fiction and the Numinous Realm: Another Attempt at Definition|journal=Modern Fiction Studies|year=1982|volume=XXVIII|issue=6}}</ref><ref name=may>{{cite book|last=May|first=Charles|title=The Short Story. The Reality of Artifice|year=1995|publisher=Twain|location=New York}}</ref> these discussions often position the form in some relation to the novel.<ref name=pratt>{{cite book|year=1994|publisher=Ohio UP|location=Athens|author=Marie Louise Pratt|editor=Charles May|title=The Short Story: The Long and the Short of It}}</ref>


=== Drama ===
Societies in which [[preaching]] has great importance, and those in which religious structures and [[clergy | authorities]] have a near-monopoly of [[literacy | reading and writing]] and/or a censorship role, may impart a religious gloss to much of the literature those societies produce or retain - as for example in the [[European Middle Ages]]. The traditions of [[textual criticism | close study]] of religious texts has furthered the development of techniques and theories in [[literary studies]].
{{Main article|Drama}}


Drama is literature intended for [[performance]].<ref>{{cite book|last1=Elam|first1=Kier|title=The Semiotics of Theatre and Drama|date=1980|publisher=Methuen|location=London and New York|isbn=0-416-72060-9|page=98}}</ref> The form is often combined with music and dance, as in [[opera]] and [[musical theatre]]. A [[Play (theatre)|play]] is a subset of this form, referring to the written dramatic work of a [[playwright]] that is intended for performance in a theatre; it comprises chiefly [[dialogue]] between [[Fictional character|characters]], and usually aims at dramatic or theatrical performance rather than at reading. A [[closet drama]], by contrast, refers to a play written to be read rather than to be performed; hence, it is intended that the meaning of such a work can be realized fully on the page.<ref>{{cite book|last1=Cody|first1=Gabrielle H.|title=The Columbia Encyclopedia of Modern Drama|date=2007|publisher=Columbia University Press|location=New York City|page=271|edition=Volume 1}}</ref> Nearly all drama took verse form until comparatively recently.
==Types of literature==


[[Greek theatre|Greek drama]] exemplifies the earliest form of drama of which we have substantial knowledge. [[Tragedy]], as a dramatic [[genre]], developed as a performance associated with [[religion|religious]] and civic [[festival]]s, typically enacting or developing upon well-known [[history|historical]] or [[mythology|mythological]] themes. Tragedies generally presented very serious [[Theme (literature)|themes]]. With the advent of newer technologies, scripts written for non-stage media have been added to this form. [[War of the Worlds (radio)]] in 1938 saw the advent of literature written for radio broadcast, and many works of Drama have been adapted for film or television. Conversely, television, film, and radio literature have been adapted to printed or electronic media.
=== Poetry ===


== History ==
[[File:Calligramme.jpg|thumb|left|A [[calligram]] by [[Guillaume Apollinaire]]. These are a type of poem in which the written words are arranged in such a way to produce a visual image.]]
{{Main article|History of literature}}
[[File:LuxorTemple03.jpg|thumb|left|alt=Inscribed hieroglyphics cover an obelisk in foreground. A stone statue is in background.|[[Egyptian hieroglyphs]] with [[cartouche]]s for the name "[[Ramesses II]]", from the [[Luxor Temple]], [[New Kingdom]]]]
The history of literature follows closely the development of [[civilization]]. When defined exclusively as written work, [[Ancient Egyptian literature]],<ref name="Forster, ''Ancient Egyptian Literature: An Anthology'', xix">Forster, ''Ancient Egyptian Literature: An Anthology'', xix</ref> along with [[Sumerian literature]] are considered the world's [[Ancient literature|oldest literatures]].<ref name="Black et al. ''The Literature of Ancient Sumer'', xix">Black et al. ''The Literature of Ancient Sumer'', xix</ref> The primary [[genre]]s of the literature of [[Ancient Egypt]]—[[Didacticism|didactic]] texts, hymns and prayers, and tales—were almost entirely written in verse;<ref name="Forster, ''Ancient Egyptian Literature: An Anthology'', vii">Forster, ''Ancient Egyptian Literature: An Anthology'', vii</ref> while use of poetic devices is clearly recognisable, the [[prosody (linguistics)|prosody]] of the verse is unknown.<ref name="Forster, ''Ancient Egyptian Literature: An Anthology'', viii–ix">Forster, ''Ancient Egyptian Literature: An Anthology'', viii–ix</ref>


Different historical periods are reflected in literature. National and tribal sagas, accounts of the origin of the world and of customs, and myths which sometimes carry moral or spiritual messages predominate in the pre-urban eras. The epics of [[Homer]], dating from the early to middle [[Iron age]], and the great [[Indian epic poetry|Indian epics]] of a slightly later period, have more evidence of deliberate literary authorship, surviving like the older myths through oral tradition for long periods before being written down.
[[Poetry]] has traditionally been distinguished from [[prose]] by its greater use of the [[Aesthetics|aesthetic]] qualities of language, including [[music]]al devices such as [[assonance]], [[alliteration]], [[rhyme]], and [[rhythm]], and by being set in [[Line (poetry)|lines]] and [[Verse (poetry)|verses]] rather than paragraphs, and more recently its use of other [[Typography|typographical]] elements.<ref name=oedpoetry>{{cite web|title=poetry, n.|url=http://www.oed.com/view/Entry/146552|work=Oxford English Dictionary|publisher=OUP|access-date=13 February 2014}} {{subscription required}}</ref>{{sfn|Preminger|1993|p=938}}{{sfn|Preminger|1993|p=939}} This distinction is complicated by various hybrid forms such as [[sound poetry]], [[concrete poetry]] and [[prose poem]],{{sfn|Preminger|1993|p=981}} and more generally by the fact that prose possesses rhythm.{{sfn|Preminger|1993|p=979}} Abram Lipsky refers to it as an "open secret" that "prose is not distinguished from poetry by lack of rhythm".<ref name=lipsky>{{cite journal|last=Lipsky|first=Abram|title=Rhythm in Prose|journal=The Sewanee Review|year=1908|volume=16|issue=3|pages=277–289|jstor=27530906}} {{subscription required}}</ref>


Literature in all its forms can be seen as written records, whether the literature itself be factual or fictional, it is still quite possible to decipher facts through things like characters’ actions and words or the authors’ style of writing and the intent behind the words. The plot is for more than just entertainment purposes; within it lies information about economics, psychology, science, religions, politics, cultures, and social depth. Studying and analyzing literature becomes very important in terms of learning about our history. Through the study of past literature we are able to learn about how society has evolved and about the societal norms during each of the different periods all throughout history. This can even help us to understand references made in more modern literature because authors often make references to Greek mythology and other old religious texts or historical moments. Not only is there literature written on each of the aforementioned topics themselves, and how they have evolved throughout history (like a book about the history of economics or a book about evolution and science, for example) but we can also learn about these things in fictional works. Authors often include historical moments in their works, like when Lord Byron talks about the Spanish and the French in ‘‘Childe Harold’s Pilgrimage: Canto I’’<ref>Lord Byron, (2008) Childe Harold’s Pilgrimage: Canto I. Lord Byron: The Major Works. ed. McGann, J.J. New York: Oxford University Press</ref> and expresses his opinions through his character Childe Harold. Through literature we are able to continuously uncover new information about history.  It is easy to see how all academic fields have roots in literature.<ref name="go.galegroup.com">English: a degree for the curious. (2013, September 16). UWIRE Text, p. 1. Retrieved from:http://go.galegroup.com/ps/i.do?id=GALE%7CA342994126&v=2.1&u=otta77973&it=r&p=AONE&sw=w&asid=0b1f124b2250452bd1bab5551e352af3</ref> Information became easier to pass down from generation to generation once we began to write it down. Eventually everything was written down, from things like home remedies and cures for illness, or how to build shelter to traditions and religious practices. From there people were able to study literature, improve on ideas, further our knowledge, and academic fields such as the medical field or trades could be started. In much the same way as the literature that we study today continue to be updated as we continue to evolve and learn more and more.
Prior to the 19th century, poetry was commonly understood to be something set in metrical lines: "any kind of subject consisting of {{sic|hide=y|Rhythm}} or Verses".<ref name=oedpoetry /> Possibly as a result of [[Aristotle]]'s influence (his ''[[Poetics (Aristotle)|Poetics]]''), "poetry" before the 19th century was usually less a technical designation for verse than a normative category of fictive or rhetorical art.{{clarify|date=October 2020}}<ref name="Ross, The Emergence of Literature: Making and Reading the English Canon in the Eighteenth Century, 398">Ross, "The Emergence of 'Literature': Making and Reading the English Canon in the Eighteenth Century", 398</ref> As a form it may pre-date [[literacy]], with the earliest works being composed within and sustained by an oral tradition;<ref>{{cite book|last=Finnegan|first=Ruth H.|title=Oral poetry: its nature, significance, and social context|year=1977|publisher=Indiana University Press|page=66}}</ref><ref name=magoun>{{cite journal|last=Magoun, Jr.|first=Francis P.|title=Oral-Formulaic Character of Anglo-Saxon Narrative Poetry|journal=Speculum|year=1953|volume=28|issue=3|pages=446–467|jstor=2847021|doi=10.2307/2847021|s2cid=162903356}} {{subscription required}}</ref> hence it constitutes the earliest example of literature.


As a more urban culture developed, academies provided a means of transmission for speculative and philosophical literature in early civilizations, resulting in the prevalence of literature in [[History of China#Ancient China|Ancient China]], [[Ancient India]], [[History of Iran|Persia]] and [[Classical antiquity|Ancient Greece and Rome]]. Many works of earlier periods, even in narrative form, had a covert moral or didactic purpose, such as the Sanskrit ''[[Panchatantra]]'' or the ''[[Metamorphoses]]'' of Ovid. [[Drama]] and [[satire]] also developed as urban culture provided a larger public audience, and later readership, for literary production. [[Lyric poetry]] (as opposed to epic poetry) was often the speciality of courts and aristocratic circles, particularly in East Asia where songs were collected by the Chinese aristocracy as poems, the most notable being the ''Shijing'' or ''[[Book of Songs (Chinese)|Book of Songs]]''. Over a long period, the poetry of popular pre-literate balladry and song interpenetrated and eventually influenced poetry in the literary medium.
=== Prose ===
As noted above, [[prose]] generally makes far less use of the aesthetic qualities of language than poetry.{{sfn|Preminger|1993|p=938}}{{sfn|Preminger|1993|p=939}}<ref>{{cite web|title=Glossary: P|url=http://www.wwnorton.com/college/english/litweb10/glossary/P.aspx|archive-url=https://web.archive.org/web/20110318074151/http://www.wwnorton.com/college/english/litweb10/glossary/P.aspx|url-status=dead|archive-date=18 March 2011|work=LitWeb, the Norton Introduction to Literature Studyspace|access-date=15 February 2014|author=Alison Booth|author2=Kelly J. Mays }}</ref> However, developments in modern literature, including [[free verse]] and [[prose poetry]] have tended to blur the differences, and American poet [[T.S. Eliot]] suggested that while: "the distinction between [[Verse (poetry)|verse]] and prose is clear, the distinction between [[poetry]] and prose is obscure".<ref>Eliot T.S. 'Poetry & Prose: The Chapbook. Poetry Bookshop: London, 1921.</ref> There are [[verse novel]]s, a type of narrative poetry in which a novel-length narrative is told through the medium of poetry rather than prose. ''[[Eugene Onegin]]'' (1831) by [[Alexander Pushkin]] is the most famous example.<ref>For discussion of the basic categorical issues see ''The New Princeton Encyclopedia of Poetry and Poetics'' (Princeton, NJ: Princeton University Press, 1993), ''s.v.'' 'Narrative Poetry'.</ref>


In ancient China, early literature was primarily focused on philosophy, [[historiography]], [[military science]], agriculture, and [[Chinese poetry|poetry]]. China, the origin of modern [[paper making]] and [[woodblock printing]], produced the world's first [[print culture]]s.<ref>A Hyatt Mayor, Prints and People, Metropolitan Museum of Art/Princeton, 1971, nos 1-4. ISBN 0-691-00326-2</ref> Much of Chinese literature originates with the [[Hundred Schools of Thought]] period that occurred during the [[Zhou Dynasty|Eastern Zhou Dynasty]] (769-269 BCE). The most important of these include the Classics of [[Confucianism]], of [[Taoism|Daoism]], of [[Mohism]], of [[Legalism (Chinese philosophy)|Legalism]], as well as works of military science (e.g. [[Sun Tzu]]'s ''[[The Art of War]]'') and [[History of China|Chinese history]] (e.g. [[Sima Qian]]'s ''[[Records of the Grand Historian]]''). Ancient Chinese literature had a heavy emphasis on historiography, with often very detailed court records. An exemplary piece of [[narrative history]] of ancient China was the ''[[Zuo Zhuan]]'', which was compiled no later than 389 BCE, and attributed to the blind 5th century BCE historian [[Zuo Qiuming]].
On the historical development of prose, Richard Graff notes that "[In the case of [[ancient Greece]]] recent scholarship has emphasized the fact that formal prose was a comparatively late development, an "invention" properly associated with the [[Classical antiquity|classical period]]".<ref name=graff>{{cite journal|last=Graff|first=Richard|title=Prose versus Poetry in Early Greek Theories of Style|journal=Rhetorica|year=2005|volume=23|issue=4|pages=303–335|jstor=10.1525/rh.2005.23.4.303|doi=10.1525/rh.2005.23.4.303}} {{subscription required}}</ref>


In ancient India, literature originated from stories that were originally orally transmitted. Early genres included [[Sanskrit drama|drama]], [[Panchatantra|fables]], [[Sūtra|sutras]] and [[Indian epic poetry|epic poetry]]. [[Sanskrit literature]] begins with the [[Vedas]], dating back to 1500–1000 BCE, and continues with the [[Sanskrit Epics]] of [[Iron Age India]]. The Vedas are among the [[Ancient literature|oldest sacred texts]]. The Samhitas (vedic collections) date to roughly 1500–1000 BCE, and the "circum-Vedic" texts, as well as the [[shakha|redaction]] of the Samhitas, date to c. 1000-500 BCE, resulting in a [[Vedic period]], spanning the mid 2nd to mid 1st millennium BCE, or the [[Bronze Age|Late Bronze Age]] and the [[Iron Age India|Iron Age]].<ref name="Flood">[[Gavin Flood]] sums up mainstream estimates, according to which the Rigveda was compiled from as early as 1500 BCE over a period of several centuries. {{Harvnb|Flood|1996|p=37}}</ref>  The period between approximately the 6th to 1st centuries BC saw the composition and redaction of the two most influential Indian epics, the ''[[Mahabharata]]'' and the ''[[Ramayana]]'', with subsequent redaction progressing down to the 4th century AD. Other major literary works are [[Ramcharitmanas]] & Krishnacharitmanas.
[[Latin]] was a major influence on the development of prose in many European countries. Especially important was the great Roman orator [[Cicero]].<ref>"Literature", ''Encyclopaedia Britannica''. online</ref> It was the ''lingua franca'' among literate Europeans until quite recent times, and the great works of [[Descartes]] (1596 – 1650), [[Francis Bacon]] (1561 – 1626), and [[Baruch Spinoza]] (1632 – 1677) were published in Latin. Among the last important books written primarily in Latin prose were the works of [[Emanuel Swedenborg|Swedenborg]] (d. 1772), [[Carl Linnaeus|Linnaeus]] (d. 1778), [[Leonhard Euler|Euler]] (d. 1783), [[Carl Friedrich Gauss|Gauss]] (d. 1855), and [[Isaac Newton]] (d. 1727).


In ancient Greece, the epics of [[Homer]], who wrote the ''[[Iliad]]'' and the ''[[Odyssey]]'', and [[Hesiod]], who wrote ''[[Works and Days]]'' and ''[[Theogony]]'', are some of the earliest, and most influential, of Ancient Greek literature. Classical Greek genres included philosophy, [[poetry]], historiography, [[comedies]] and [[drama]]s. [[Plato]] and [[Aristotle]] authored philosophical texts that are the foundation of [[Western philosophy]], [[Sappho]] and [[Pindar]] were influential [[lyric poetry|lyric poets]], and [[Herodotus]] and [[Thucydides]] were early Greek historians. Although drama was popular in Ancient Greece, of the hundreds of [[tragedy|tragedies]] written and performed during the [[classical age]], only a limited number of plays by three authors still exist: [[Aeschylus]], [[Sophocles]], and [[Euripides]]. The plays of [[Aristophanes]] provide the only real examples of a genre of comic drama known as [[Ancient Greek comedy|Old Comedy]], the earliest form of Greek Comedy, and are in fact used to define the genre.<ref>''Aristophanes: Butts'' K.J.Dover (ed), Oxford University Press 1970, Intro. page X.</ref>
====Novel====
[[File:Johann Heinrich Wilhelm Tischbein - Goethe in the Roman Campagna - Google Art Project.jpg|thumb|left|220px|[[Johann Wolfgang von Goethe]], [[Germany|German]] writer and author of the [[Faust]] books ]]
[[File:Printing3 Walk of Ideas Berlin.JPG|thumb|Sculpture in [[Berlin]] depicting a stack of books on which are inscribed the names of great German writers.]]
{{See also|Genre fiction}}
A [[novel]] is a long [[fictional]] prose narrative. In English, the term emerged from the [[Romance language]]s in the late 15th century, with the meaning of "news"; it came to indicate something new, without a distinction between fact or fiction.<ref name=sommerville>{{cite book|last=Sommerville|first=C. J.|year=1996|title=The News Revolution in England: Cultural Dynamics of Daily Information|location=Oxford|publisher=OUP|page=18}}</ref> The romance is a closely related long prose narrative. [[Walter Scott]] defined it as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", whereas in the novel "the events are accommodated to the ordinary train of human events and the modern state of society".<ref>"Essay on Romance", ''Prose Works'' volume vi, p.&nbsp;129, quoted in "Introduction" to Walter Scott's ''Quentin Durward'', ed. Susan Maning. Oxford: Oxford University Press, 1992, p.&nbsp;xxv. Romance should not be confused with [[Harlequin Romance]].</ref> Other European languages do not distinguish between romance and novel: "a novel is ''le roman'', ''der Roman'', ''il romanzo''",<ref name="Doody 1996, p. 15">Doody (1996), p.&nbsp;15.</ref> indicates the proximity of the forms.<ref name=brooklyn>{{cite web|title=The Novel|url=http://academic.brooklyn.cuny.edu/english/melani/cs6/novel.html|work=A Guide to the Study of Literature: A Companion Text for Core Studies 6, Landmarks of Literature|publisher=[[Brooklyn College]]|access-date=22 February 2014}}</ref>


Roman histories and biographies anticipated the extensive mediaeval literature of lives of saints and miraculous chronicles, but the most characteristic form of the [[Middle Ages]] was the [[Romance (heroic literature)|romance]], an adventurous and sometimes magical narrative with strong popular appeal.  Controversial, religious, political and instructional literature proliferated during the Renaissance as a result of the invention of printing, while the mediaeval romance developed into a more character-based and psychological form of narrative, the [[novel]], of which early and important examples are the Chinese [[Journey to the West|Monkey]] and the German [[Faust]] books.
Although there are many historical prototypes, so-called "novels before the novel",{{sfn|Goody|2006|p=19}} the modern novel form emerges late in cultural history—roughly during the eighteenth century.{{sfn|Goody|2006|p=20}} Initially subject to much criticism, the novel has acquired a dominant position amongst literary forms, both popularly and critically.<ref name=brooklyn />{{sfn|Goody|2006|p=29}}<ref>{{cite book|title=The Novel, Volume 2: Forms and Themes|year=2006|publisher=Princeton UP|location=Princeton|isbn=978-0-691-04948-9|page=31|editor=Franco Moretti|chapter=The Novel in Search of Itself: A Historical Morphology}}</ref>


In the [[Age of Reason]] philosophical tracts and speculations on history and human nature integrated literature with social and political developments. The inevitable reaction was the explosion of [[Romanticism]] in the later 18th century which reclaimed the imaginative and fantastical bias of old romances and folk-literature and asserted the primacy of individual experience and emotion.  But as the 19th-century went on, European fiction evolved towards [[Realism (arts)|realism]] and [[Naturalism (literature)|naturalism]], the meticulous documentation of real life and social trends. Much of the output of naturalism was implicitly polemical, and influenced social and political change, but 20th century fiction and drama moved back towards the subjective, emphasising unconscious motivations and social and environmental pressures on the individual. Writers such as [[Marcel Proust|Proust]], [[T.S.Eliot|Eliot]], [[James Joyce|Joyce]], [[Franz Kafka|Kafka]] and [[Luigi Pirandello|Pirandello]] exemplify the trend of documenting internal rather than external realities.
====Novella====


[[Genre fiction]] also showed it could question reality in its 20th century forms, in spite of its fixed formulas, through the enquiries of the skeptical [[Detective fiction|detective]] and the alternative realities of [[science fiction]]. The separation of "mainstream" and "genre" forms (including journalism) continued to blur during the period up to our own times. [[William Burroughs]], in his early works, and [[Hunter S. Thompson]] expanded documentary reporting into strong subjective statements after the [[World War II|second World War]], and [[Postmodernism|post-modern]] critics have disparaged the idea of objective realism in general.
The publisher [[Melville House Publishing|Melville House]] classifies the [[novella]] as "too short to be a novel, too long to be a short story".<ref name=antrim>{{Cite news|last=Antrim|first=Taylor|title=In Praise of Short|journal=The Daily Beast|url=http://www.thedailybeast.com/articles/2010/08/04/the-novella-is-making-a-comeback.html|access-date=15 February 2014|year=2010}}</ref> Publishers and literary award societies typically consider a novella to be between 17,000 and 40,000 words.<ref>{{cite web|url=http://sfwa.org/awards/faq.htm|archive-url=https://web.archive.org/web/20090319043837/http://sfwa.org/awards/faq.htm|url-status=dead|archive-date=2009-03-19|title=What's the definition of a "novella," "novelette," etc.?|website=[[Science Fiction and Fantasy Writers of America]]}}</ref>


== Awards ==
====Short story====
{{Main article|List of literary awards}}


There are numerous [[Literary award|awards]] recognising achievement and contribution in literature. Given the diversity of the field, awards are typically limited in scope, usually on: form, [[genre]], language, nationality and output (e.g. for first-time writers or [[debut novel]]s).<ref>{{cite web|title=Man Booker 2013: Top 25 literary prizes|url=http://www.telegraph.co.uk/culture/books/bookprizes/10139413/Man-Booker-2013-Top-25-literary-prizes.html|publisher=[[Telegraph Media Group|The Telegraph]]|accessdate=8 March 2014|author=John Stock|author2=Kealey Rigden }}</ref>
A dilemma in defining the "[[short story]]" as a literary form is how to, or whether one should, distinguish it from any short narrative and its contested origin,<ref name=boyd>{{cite web|last=Boyd|first=William|title=A short history of the short story|url=http://www.prospectmagazine.co.uk/magazine/william-boyd-short-history-of-the-short-story/#.Uxr1EoVVO-c|publisher=Prospect Magazine|access-date=8 March 2014}}</ref> that include the [[Bible]], and [[Edgar Allan Poe]].<ref name=colibaba>{{cite journal|last=Colibaba|first=Ştefan|title=The Nature of the Short Story: Attempts at Definition|journal=Synergy|year=2010|volume=6|issue=2|pages=220–230|url=http://synergy.ase.ro/issues/2010-vol6-no2/14-the-nature-of-the-short-story-attempts-at-definition.pdf|access-date=6 March 2014}}</ref>


The [[Nobel Prize in Literature]] was one of the six [[Nobel Prizes]] established by the will of [[Alfred Nobel]] in 1895,<ref name=nobelfacts>{{cite web|title=Facts on the Nobel Prize in Literature|url=http://www.nobelprize.org/nobel_prizes/facts/literature/index.html|work=Nobelprize.org|publisher=Nobel Media AB|accessdate=8 March 2014}}</ref> and is awarded to an author on the basis of their body of work, rather than to, or for, a particular work itself.{{efn|However, in some instances a work has been cited in the explanation of why the award was given.}} Other literary prizes for which all nationalities are eligible include: the [[Neustadt International Prize for Literature]], the [[Man Booker International Prize]] and the [[Franz Kafka Prize]].
==== Graphic novel ====
[[Graphic novel]]s and [[comic book]]s present stories told in a combination of artwork, dialogue, and text.


== Essays ==
==== Electronic literature ====
An [[essay]] consists of a discussion of a topic from an author's personal point of view, exemplified by works by [[Michel de Montaigne]] or by [[Charles Lamb (writer)|Charles Lamb]].
[[Electronic literature]] is a literary genre consisting of [[digital works]]


Genres related to the essay may include the [[memoir]] and the [[epistle]].
==== Nonfiction ====
Common literary examples of [[nonfiction]] include, the [[essay]]; [[travel literature]] and [[nature writing]]; [[biography]], [[autobiography]] and [[memoir]]; [[journalism]]; [[Letter (message)|letter]]s; [[Diary|journal]]s; history, [[Philosophy and literature#Philosophical writing as literature|philosophy]], economics; [[scientific writing|scientific]], and [[technical writing|technical]] writings.<ref name="auto"/><ref>{{cite book|title=Quality Reading Instruction in the Age of Common Core Standards|editor=Susan B. Neuman |editor2=Linda B. Gambrell|page=46|year=2013|publisher=International Reading Association|url=https://books.google.com/books?id=mzbNGWVonZIC|isbn=9780872074965 }}</ref>


==  Other prose literature ==
Nonfiction can fall within the broad category of literature as "any collection of written work", but some works fall within the narrower definition "by virtue of the excellence of their writing, their originality and their general aesthetic and artistic merits".<ref>J. A. Cuddon, ''Penguin Dictionary of Literary Terms and Literary Theory'',p. 472.</ref>
[[Philosophy|Philosophical]], [[history|historical]], [[journalism|journalistic]], and [[natural science|scientific]] writings are traditionally ranked as literature. They offer some of the oldest prose writings in existence; [[novel]]s and [[short story|prose stories]] earned the names "[[fiction]]" to distinguish them from factual writing or [[nonfiction]], which writers historically have crafted in prose.


=== Natural science ===
=== Drama ===
As advances and specialization have made new scientific research inaccessible to most audiences, the "literary" nature of science writing has become less pronounced over the last two centuries. Now, science appears mostly in [[scientific journal|journals]]. Scientific works of [[Aristotle]], [[Nicolaus Copernicus|Copernicus]], and [[Isaac Newton|Newton]] still exhibit great value, but since the science in them has largely become outdated, they no longer serve for scientific instruction. Yet, they remain too technical to sit well in most programmes of literary study. Outside of "[[history of science]]" programmes, students rarely read such works.
[[File:Libretto Cover Andrea Chenier.jpg|left|thumb|Cover of a 1921 libretto for [[Umberto Giordano|Giordano]]'s opera ''[[Andrea Chénier]]'']]
[[Drama]] is literature intended for [[performance]].<ref>{{cite book|last1=Elam|first1=Kier|title=The Semiotics of Theatre and Drama|url=https://archive.org/details/semioticsoftheat0000elam|url-access=registration|date=1980|publisher=Methuen|location=London and New York|isbn=978-0-416-72060-0|page=[https://archive.org/details/semioticsoftheat0000elam/page/98 98]}}</ref> The form is combined with music and dance in [[opera]] and [[musical theatre]] (see [[libretto]]). A [[Play (theatre)|play]] is a written dramatic work by a [[playwright]] that is intended for performance in a theatre; it comprises chiefly [[dialogue]] between [[Fictional character|characters]]. A [[closet drama]], by contrast, is written to be read rather than to be performed; the meaning of which can be realized fully on the page.<ref>{{cite book|last1=Cody|first1=Gabrielle H.|title=The Columbia Encyclopedia of Modern Drama|date=2007|publisher=Columbia University Press|location=New York City|page=271|edition=Volume 1}}</ref> Nearly all drama took verse form until comparatively recently.


=== Philosophy ===
The earliest form of which there exists substantial knowledge is [[Greek theatre|Greek drama]]. This developed as a performance associated with [[religion|religious]] and civic [[festival]]s, typically enacting or developing upon well-known [[history|historical]], or [[mythology|mythological]] themes,
Philosophy has become an increasingly academic discipline. More of its practitioners lament this situation than occurs with the sciences; nonetheless most new philosophical work appears in [[Academic publishing|academic journals]]. Major philosophers through history—[[Plato]], [[Aristotle]], [[Socrates]], [[Augustine of Hippo|Augustine]], [[René Descartes|Descartes]], [[Søren Kierkegaard|Kierkegaard]], [[Friedrich Nietzsche|Nietzsche]]—have become as canonical as any writers. Some recent philosophy works are argued to merit the title "literature", but much of it does not, and some areas, such as [[logic]], have become extremely technical to a degree similar to that of [[mathematics]].


=== Psychology ===
In the twentieth century [[Screenplay|script]]s written for non-stage media have been added to this form, including [[radio drama|radio]], television and film.
Literature allows readers to access intimate emotional aspects of a person’s character that would not be obvious otherwise.<ref>Hogan, P. Colm, (2011). ''What Literature Teaches Us about Emotion''. New York: Cambridge University Press. p. 1.</ref>  It benefits the psychological development and understanding of the reader.  For example, it allows a person to access emotional states from which the person has distanced himself or herself.  An entry written by D. Mitchell featured in ''The English Journal'' explains how the author used young adult literature in order to re-experience the emotional psychology she experienced as a child which she describes as a state of "wonder".<ref>Mitchell, D. (2001, Jan). The Lure of Young Adult Literature. ''The English Journal'', Vol. 90, No.3, pp.23-25. Retrieved from: http://www.jstor.org/stable/821301</ref>


Hogan also explains that the temporal and emotional amount which a person devotes to understanding a character’s situation in literature allows literature to be considered "ecological[ly] valid in the study of emotion".<ref>Hogan, P. Colm, (2011). ''What Literature Teaches Us about Emotion''. New York: Cambridge University Press. p. 10.</ref>  This can be understood in the sense that literature unites a large community by provoking universal emotions.  It also allows readers to access cultural aspects that they are not exposed to thus provoking new emotional experiences.<ref>Hogan, P. Colm, (2011). ''What Literature Teaches Us about Emotion''. New York: Cambridge University Press. p. 11.</ref>  Authors choose literary device according to what psychological emotion he or she is attempting to describe, thus certain literary devices are more emotionally effective than others.<ref name="Nezami, S. R. A. 2012">Nezami, S. R. A. (2012, February). The use of figures of speech as a literary device--a specific mode of expression in English literature. ''Language In India'', 12(2), 659+. Retrieved from http://go.galegroup.com/ps/i.do?action=interpret&id=GALE%7CA283834622&v=2.1&u=otta77973&it=r&p=AONE&sw=w&authCount=1</ref>
== Law ==
=== Law and literature ===
The [[law and literature]] movement focuses on the interdisciplinary connection between law and literature.


Furthermore, literature is being more popularly regarded as a psychologically effective research tool.  It can be considered a research tool because it allows psychologists to discover new psychological aspects and it also allows psychologists to promote their theories.<ref>Hogan, P. Colm, (2011). ''What Literature Teaches Us about Emotion''. New York: Cambridge University Press. p. 19.</ref>  For example, the print capacity available for literature distribution has allowed psychological theories such as  Maslow’s Hierarchy of Needs to be universally recognized.
=== Copyright ===


Maslow’s "Third Force Psychology Theory" even allows literary analysts to critically understand how characters reflect the culture and the history in which they are contextualized.  It also allows analysts to understand the author’s intended message and to understand the author’s psychology.<ref>Paris, B. J. (1986) ''Third Force Psychology and the Study of Literature''. Cranbury: Associated University Press. p. 61.</ref> The theory suggests that human beings possess a nature within them that demonstrates their true "self" and it suggests that the fulfillment of this nature is the reason for living. It also suggests that neurological development hinders actualizing the nature because a person becomes estranged from his or her true self.<ref>Paris, B. J. (1986) ''Third Force Psychology and the Study of Literature''. Cranbury: Associated University Press. p. 25.</ref> Therefore, literary devices reflect a characters’s and an author’s natural self.<ref name="Nezami, S. R. A. 2012"/> In his ‘‘Third Force Psychology and the Study of Literature’’, Paris argues "[[D.H. Lawrence]]'s 'pristine unconscious' is a metaphor for the real self".<ref>Paris, B. J. (1986) ''Third Force Psychology and the Study of Literature''. Cranbury: Associated University Press. p. 65.</ref> Thus Literature is a reputable tool that allows readers to develop and apply critical reasoning to the nature of emotions.
{{Further|History of copyright}}
[[File:Bibliothèque de l'Assemblée Nationale (Lunon).jpg|thumb|upright=1.15|The [[Palais Bourbon#The Library|Library]] of the [[Palais Bourbon]] in Paris]]
[[Copyright]] is a type of [[intellectual property]] that gives its owner the exclusive right to make copies of a [[creative work]], usually for a limited time.<ref>{{Cite web |title=Definition of copyright |url=https://en.oxforddictionaries.com/definition/copyright |publisher=[[Oxford Dictionaries]] |access-date=20 December 2018 }}</ref><ref>{{Cite dictionary |title=Definition of Copyright |url=https://www.merriam-webster.com/dictionary/copyright |dictionary=[[Merriam-Webster]] |access-date=20 December 2018 |language=en }}</ref><ref>Nimmer on Copyright, vol. 2, §&nbsp;8.01.</ref><ref>"Intellectual property", ''Black's Law Dictionary'', 10th ed. (2014).</ref><ref name=":3">{{Cite web |url=https://www.wipo.int/edocs/pubdocs/en/wipo_pub_909_2016.pdf |title=Understanding Copyright and Related Rights |website=www.wipo.int |page=4 |access-date=6 December 2018 }}</ref> The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.<ref>{{Cite web |url=https://fairuse.stanford.edu/overview/faqs/copyright-basics/ |title=Copyright Basics FAQ |last=Stim |first=Rich |website=The Center for Internet and Society Fair Use Project |publisher=Stanford University |access-date=21 July 2019 |date=27 March 2013 }}</ref><ref>{{Cite web |url=http://www.bitlaw.com/copyright/unprotected.html#ideas |title=Works Unprotected by Copyright Law |publisher=Bitlaw |author=Daniel A. Tysver }}</ref><ref>{{Cite web |url=http://digital-law-online.info/lpdi1.0/treatise9.html |title=Legal Protection of Digital Information |page=''Chapter 1: An Overview of Copyright'', Section II.E. Ideas Versus Expression |author=Lee A. Hollaar}}</ref>


=== History ===
==== United Kingdom ====
A significant portion of historical writing ranks as literature, particularly the genre known as [[creative nonfiction]], as can a great deal of journalism, such as [[literary journalism]]. However, these areas have become extremely large, and often have a primarily utilitarian purpose: to record data or convey immediate information. As a result, the writing in these fields often lacks a literary quality, although it often(and in its better moments)has that quality. Major "literary" historians include [[Herodotus]], [[Thucydides]] and [[Procopius]], all of whom count as canonical literary figures.
Literary works have been protected by copyright law from unauthorized reproduction since at least 1710.<ref>The Statute of Anne 1710 and the Literary Copyright Act 1842 used the term "book". However, since 1911 the statutes have referred to literary works.</ref> Literary works are defined by copyright law to mean "any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes (a) a table or compilation (other than a database), (b) a computer program, (c) preparatory design material for a computer program, and (d) a database."<ref>{{Cite web |title=Copyright, Designs and Patents Act 1988 |work=legislation.gov.uk |access-date=11 October 2021 |url= https://www.legislation.gov.uk/ukpga/1988/48/part/I/chapter/I/crossheading/descriptions-of-work-and-related-provisions }}</ref>


=== Law ===
Literary works are all works of literature; that is all works expressed in print or writing (other than dramatic or musical works).<ref>"University of London Press v. University Tutorial Press" [1916]</ref>
[[Law]] offers more ambiguity. Some writings of [[Plato]] and [[Aristotle]], the law tables of [[Hammurabi]] of [[Babylon]], or even the early parts of the [[Bible]] could be seen as legal literature. [[Roman law|Roman civil law]] as codified in the [[Corpus Juris Civilis]] during the reign of [[Justinian I]] of the [[Byzantine Empire]] has a reputation as significant literature. The founding documents of many countries, including [[Constitution]]s and [[Law Code]]s, can count as literature.


== Other narrative forms ==
==== United States ====
* [[Electronic literature]] is a literary genre consisting of works that originate in digital environments.
The [[copyright law of the United States]] has a long and complicated history, dating back to colonial times. It was established as federal law with the Copyright Act of 1790. This act was updated many times, including a [[Copyright Act of 1976|major revision in 1976]].
* [[Film]]s, videos and broadcast [[soap opera]]s have carved out a niche which often parallels the functionality of prose fiction.
* [[Graphic novel]]s and [[comic book]]s present stories told in a combination of sequential artwork, dialogue and text.


== Genres of literature ==
==== European Union ====
[[Literary genre]] is a mode of categorising literature. The term originates from French, designating a proposed type or class.<ref>M. H. Abrams, Glossary of Literary Terms, Harcourt/New York, 1999. pp.108</ref> However, such classes are subject to change, and have been used in different ways in different periods and traditions.
The [[copyright law of the European Union]] is the copyright law applicable within the [[European Union]]. Copyright law is largely harmonized in the Union, although country to country differences exist. The body of law was implemented in the EU through a number of [[Directive (European Union)|directives]], which the member states need to enact into their national law. The main copyright directives are the [[Copyright Term Directive]], the [[Information Society Directive]] and the [[Directive on Copyright in the Digital Single Market]]. Copyright in the Union is furthermore dependent on international conventions to which the European Union is a member (such as the [[TRIPS Agreement]] and conventions to which all Member States are parties (such as the [[Berne Convention]])).


== Literary techniques ==
====Copyright in communist countries====
{{Main article|Literary technique}}
A literary technique or literary device can be used by authors in order to enhance the written framework of a piece of literature, and produce specific effects. Literary techniques encompass a wide range of approaches to crafting a work: whether a work is narrated in [[Grammatical person|first-person]] or from another perspective, whether to use a traditional linear narrative or a [[nonlinear narrative]], or the choice of [[literary genre]], are all examples of literary technique. They may indicate to a reader that there is a familiar structure and presentation to a work, such as a conventional [[crime fiction|murder-mystery novel]]; or, the author may choose to experiment with their technique to surprise the reader.


In this way, use of a technique can lead to the development of a new genre, as was the case with one of the first modern novels, ''[[Pamela, or Virtue Rewarded|Pamela]]'' by [[Samuel Richardson]]. ''Pamela'' is written as a collection of letter-writing correspondence, called "epistolary technique"; by using this technique, ''Pamela'' strengthened the tradition of the [[epistolary novel]], a genre which had been practiced for some time already but without the same acclaim.
{{Further|Copyright in Russia|Copyright law of the Soviet Union|Intellectual property in China}}


Literary technique is distinguished from [[narrative device|literary device]], as [[military strategy]] is distinguished from [[military tactics]]. Devices are specific constructions within the narrative that make it effective. Examples include [[metaphor]], [[simile]], [[ellipsis]], narrative [[Motif (narrative)|motifs]], and [[allegory]]. Even simple [[word play]] functions as a literary device. The [[narrative mode]] may be considered a literary device, such as the use of [[stream-of-consciousness narrative]].
====Copyright in Japan====
[[Copyright in Japan|Japan]] was a party to the original [[Berne convention]] in 1899, so its copyright law is in sync with most international regulations. The convention protected copyrighted works for 50 years after the author's death (or 50 years after publication for unknown authors and corporations). However, in 2004 Japan extended the copyright term to 70 years for cinematographic works. At the end of 2018, as a result of the [[Trans-Pacific Partnership]] negotiations, the 70 year term was applied to all works.<ref name="Agency for Cultural Affairs Text">{{cite web |url=http://www.bunka.go.jp/seisaku/chosakuken/hokaisei/kantaiheiyo_hokaisei/pdf/r1408266_02.pdf |script-title=ja:環太平洋パートナーシップ協定の法律) |language=ja |author=Agency for Cultural Affairs |publisher=Agency for Cultural Affairs |access-date=2019-01-04 }}</ref> This new term is not applied retroactively; works that had entered the public domain between 1999 and 2018 by expiration would remain in the public domain.


Literary criticism implies a critique and evaluation of a piece of literature and, in some cases, it is used to improve a work in progress or a classical piece, as with an ongoing theatre production. [[Literary editor]]s can serve a similar purpose for the authors with whom they work. There are many types of literary criticism and each can be used to critique a piece in a different way or critique a different aspect of a piece.
=== Censorship ===
[[File:Kuzma petrov-vodkin, ritratto di anna akhmatova, 1922.JPG|thumb|[[Soviet]] poet [[Anna Akhmatova]] (1922), whose works were condemned and censored by the [[Stalin]]ist authorities]]
{{Further|Book censorship|Theatre censorship|Film censorship}}


== Legal status ==
Is a means employed by states, religious organizations, educational institutions, etc, to control what can be portrayed, spoken, performed, or written.<ref>J. A, Cuddon, "Censorship", ''The Penguin Dictionary of Literary Terms and Literary Theory'' (1977), (revised by C. E. Preston. Penguin Books, 1998, pp. 118-22.</ref> Generally such bodies attempt to ban works for [[sedition|political reasons]], or because they deal with other controversial matters such as race, or [[obscenity|sex]].<ref>{{cite web|url=http://www.ala.org/bbooks/about|title=About Banned & Challenged Books|work=ala.org|date=25 October 2016}}</ref>
{{Expand section|date=February 2014}}


=== United Kingdom ===
A notorious example of censorship is [[James Joyce]]'s novel [[Ulysses (novel)|Ulysses]], which has been described by Russian-American novelist [[Vladimir Nabokov]] as a "divine work of art" and the greatest masterpiece of 20th century prose.<ref>Nabokov, pp. 55, 57</ref> It was [[Obscenity trial of Ulysses in The Little Review|banned in the United States from 1921 until 1933]] on the grounds of obscenity. Nowadays it is a central literary text in English literature courses, throughout the world.<ref>''Ulysses'' has been called "the most prominent landmark in modernist literature", a work where life's complexities are depicted with "unprecedented, and unequalled, linguistic and stylistic virtuosity". ''The New York Times guide to essential knowledge'', 3d ed. (2011), p. 126.</ref>


Literary works have been protected by copyright law from unauthorised reproduction since at least 1710.<ref>The Statute of Anne 1710 and the Literary Copyright Act 1842 used the term "book". However, since 1911 the statutes have referred to literary works.</ref> Literary works are defined by copyright law to mean ''any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes (a) a table or compilation (other than a database), (b) a computer program, (c) preparatory design material for a computer program, and (d) a database.''
== Awards ==
 
There are numerous [[Literary award|awards]] recognizing achievement and contribution in literature. Given the diversity of the field, awards are typically limited in scope, usually on: form, [[genre]], language, nationality and output (e.g. for first-time writers or [[debut novel]]s).<ref>{{Cite news|title=Man Booker 2013: Top 25 literary prizes|url=https://www.telegraph.co.uk/culture/books/bookprizes/10139413/Man-Booker-2013-Top-25-literary-prizes.html|archive-url=https://web.archive.org/web/20131015075047/http://www.telegraph.co.uk/culture/books/bookprizes/10139413/Man-Booker-2013-Top-25-literary-prizes.html|url-status=dead|archive-date=15 October 2013|publisher=[[Telegraph Media Group|The Telegraph]]|access-date=8 March 2014|author=John Stock|author2=Kealey Rigden |date=15 October 2013}}</ref>


It should be noted that literary works are not limited to works of literature, but include all works expressed in print or writing (other than dramatic or musical works).<ref>''University of London Press v. University Tutorial Press'' [1916]</ref>
The [[Nobel Prize in Literature]] was one of the six [[Nobel Prizes]] established by the will of [[Alfred Nobel]] in 1895,<ref name=nobelfacts>{{cite web|title=Facts on the Nobel Prize in Literature|url=https://www.nobelprize.org/nobel_prizes/facts/literature/index.html|work=Nobelprize.org|publisher=Nobel Media AB|access-date=8 March 2014}}</ref> and is awarded to an author on the basis of their body of work, rather than to, or for, a particular work itself.{{refn|group=note|However, in some instances a work has been cited in the explanation of why the award was given.}} Other literary prizes for which all nationalities are eligible include: the [[Neustadt International Prize for Literature]], the [[Man Booker International Prize]], [[Pulitzer Prize for Drama|Pulitzer Prize]], [[Hugo Award for Best Novel|Hugo Award]], [[Guardian First Book Award]] and the [[Franz Kafka Prize]].


== See also ==
== See also ==
{{Wikipedia books}}
{{Portal|Literature|Writing}}
{{Portal|Literature|Writing}}
{{Main article|Outline of literature|Index of literature articles}}
*[[Philosophy and literature]]
; Lists
* [[List of authors]]
* [[List of books]]
* [[List of literary magazines]]
* [[List of literary terms]]
* [[List of women writers]]
* [[List of writers]]


; Related topics
{{columns-list|colwidth=30em|
* [[Asemic writing]]
* [[Library]]
* [[Children's literature]]
* [[Cultural movement]] for literary movements.
* [[English studies]]
* [[Ergodic literature]]
* [[Erotic literature]]
* [[Hinman collator]]
* [[Hungryalism]]
* [[Literature basic topics]]
* [[Literary agent]]
* [[Literary agent]]
* [[Literature cycle]]
* [[Literary element]]
* [[Literary element]]
* [[Literary magazine]]
* [[Literary magazine]]
* [[Modern Language Association]]
* [[Reading]]
* [[Orature]]
* [[Postcolonial literature]]
* [[Popular fiction]]
* [[Rabbinic literature]]
* [[Rhetorical modes]]
* [[Rhetorical modes]]
* {{section link|Science fiction|As serious literature}}
* [[Vernacular literature]]
* [[Vernacular literature]]
* [[World literature]]
 
}}


== Notes ==
== Notes ==
{{notelist}}
{{reflist|group=note}}


== References ==
== References ==
'''Citations
{{reflist}}
{{reflist|35em}}
 
'''Bibliography'''
===Bibliography===
{{refbegin|35em|indent=yes}}
{{refbegin|35em|indent=yes}}
:{{cite book|title=Critique of Poetics (vol. 2)|year=2005|publisher=Atlantic Publishers & Dist|isbn=978-81-269-0377-1|url=https://books.google.com/books?id=9dpqORJYizkC&lpg=PA538&ots=BMT4tPWAWw&dq=%22the%20best%20expression%20of%20the%20best%20thought%20reduced%20to%20writing%22&pg=PP1#v=onepage&q&f=false|author=A.R. Biswas}}
*{{cite book|title=Critique of Poetics (vol. 2)|year=2005|publisher=Atlantic Publishers & Dist|isbn=978-81-269-0377-1|url=https://books.google.com/books?id=9dpqORJYizkC&q=%22the%20best%20expression%20of%20the%20best%20thought%20reduced%20to%20writing%22&pg=PP1|author=A.R. Biswas}}
:{{cite book|title=The literature of ancient Sumer|year=2006|publisher=OUP|location=Oxford|isbn=978-0-19-929633-0|editor1=Jeremy Black |editor2=Graham Cunningham |editor3=Eleanor Robson }}
*{{cite book|title=The literature of ancient Sumer|year=2006|publisher=OUP|location=Oxford|isbn=978-0-19-929633-0|editor1=Jeremy Black |editor2=Graham Cunningham |editor3=Eleanor Robson}}
:{{cite book|title=The Norton Anthology of Theory and Criticism|year=2001|publisher=Norton|isbn=0-393-97429-4|first1=William E.|last1=Cain|first2=Laurie A.|last2=Finke|first3=Barbara E.|last3=Johnson|first4=John|last4= McGowan|first5=Jeffrey J.|last5=Williams|editor=Vincent B. Leitch}}
*{{cite book|title=The Norton Anthology of Theory and Criticism|year=2001|publisher=Norton|isbn=978-0-393-97429-4|first1=William E.|last1=Cain|first2=Laurie A.|last2=Finke|first3=Barbara E.|last3=Johnson|first4=John|last4=McGowan|first5=Jeffrey J.|last5=Williams|editor=Vincent B. Leitch|url-access=registration|url=https://archive.org/details/nortonanthologyo00vinc}}
:{{cite book|last=Eagleton|first=Terry|title=Literary theory: an introduction: anniversary edition|year=2008|publisher=Blackwell Publishing|location=Oxford|isbn=978-1-4051-7921-8|edition=Anniversary, 2nd}}
*{{cite book|last=Eagleton|first=Terry|title=[[Literary Theory: An Introduction]]|year=2008|publisher=Blackwell Publishing|location=Oxford|isbn=978-1-4051-7921-8|edition=Anniversary, 2nd}}
:{{citation |last=Foster |first=John Lawrence |title=Ancient Egyptian Literature: An Anthology |year=2001 |publisher=University of Texas Press |location=Austin |pages=xx| isbn=0-292-72527-2}}
*{{cite book|last=Flood |first=Gavin |author-link=Gavin Flood |title=An Introduction to Hinduism |url=https://archive.org/details/introductiontohi0000floo |url-access=registration |year=1996 |publisher=Cambridge University Press |isbn= 978-0-521-43878-0}}
:{{cite journal|last=Giraldi|first=William|title=The Novella's Long Life|journal=The Southern Review|issue=Autumn 2008|pages=793–801|url=http://williamgiraldi.com/wp-content/uploads/2011/08/novella1.pdf|accessdate=15 February 2014}}
*{{cite book |last=Hogan |first=P. Colm |year=2011 |title=What Literature Teaches Us about Emotion |location=New York |publisher=[[Cambridge University Press]]}}
:{{cite book|last=Goody|first=Jack|title=The Novel, Volume 1: History, Geography, and Culture|year=2006|publisher=Princeton UP|location=Princeton|isbn=978-0-691-04947-2|page=18|editor=Franco Moretti|chapter=From Oral to Written: An Anthropological Breakthrough in Storytelling}}
*{{citation |last=Foster |first=John Lawrence |title=Ancient Egyptian Literature: An Anthology |year=2001 |publisher=University of Texas Press |location=Austin |page=xx| isbn=978-0-292-72527-0}}
:{{cite book|last=Preminger|first=Alex|title=The New Princeton Encyclopedia of Poetry and Poetics|publisher=US: Princeton University Press|year=1993|isbn=0-691-02123-6|display-authors=etal}}
*{{cite journal|last=Giraldi|first=William|title=The Novella's Long Life|journal=The Southern Review|year=2008|pages=793–801|url=http://williamgiraldi.com/wp-content/uploads/2011/08/novella1.pdf|access-date=15 February 2014|url-status=dead|archive-url=https://web.archive.org/web/20140222222151/http://williamgiraldi.com/wp-content/uploads/2011/08/novella1.pdf|archive-date=22 February 2014}}
:{{cite journal|last=Ross|first=Trevor|title=The Emergence of "Literature": Making and Reading the English Canon in the Eighteenth Century."|journal=ELH|year=1996|volume=63|pages=397–422|url=http://www.ualberta.ca/~dmiall/MakingReaders/Readings/Ross%20English%20Canon.pdf|accessdate=9 February 2014|doi=10.1353/elh.1996.0019}}
*{{cite book|last=Goody|first=Jack|title=The Novel, Volume 1: History, Geography, and Culture|year=2006|publisher=Princeton UP|location=Princeton|isbn=978-0-691-04947-2|page=18|editor=Franco Moretti|chapter=From Oral to Written: An Anthropological Breakthrough in Storytelling}}
*{{cite book |last=Paris |first=B.J. |year=1986 |title=Third Force Psychology and the Study of Literature |location=Cranbury |publisher=[[Associated University Press]]}}
*{{cite book|last=Preminger|first=Alex|title=The New Princeton Encyclopedia of Poetry and Poetics|url=https://archive.org/details/newprincetonency00alex|url-access=registration|publisher=US: Princeton University Press|year=1993|isbn=978-0-691-02123-2|display-authors=etal}}
*{{cite journal|last=Ross|first=Trevor|title=The Emergence of "Literature": Making and Reading the English Canon in the Eighteenth Century."|journal=ELH|year=1996|volume=63|issue=2|pages=397–422|url=https://www.ualberta.ca/~dmiall/MakingReaders/Readings/Ross%20English%20Canon.pdf|access-date=9 February 2014|doi=10.1353/elh.1996.0019|s2cid=170813833}}
{{refend}}
{{refend}}


== Further reading ==
== Further reading ==
'''Major forms'''
{{refbegin|indent=yes}}
:{{cite book|last=Bonheim|first=Helmut|title=The Narrative Modes: Techniques of the Short Story|year=1982|publisher=Brewer|location=Cambridge}} An overview of several hundred short stories.
:{{cite journal|last=Gillespie|first=Gerald|title=Novella, nouvelle, novella, short novel? — A review of terms|journal=Neophilologus|date=January 1967|volume=51|issue=1|pages=117–127|doi=10.1007/BF01511303|url=http://link.springer.com/article/10.1007%2FBF01511303?LI=true#page-1|accessdate=6 March 2014}} {{subscription required}}
{{refend}}
'''History'''
{{refbegin|indent=yes}}
{{refbegin|indent=yes}}
:{{cite web|last=Wheeler|first=L. Kip|title=Periods of Literary History|url=http://web.cn.edu/kwheeler/documents/periods_lit_history.pdf|publisher=[[Carson-Newman University]]|accessdate=18 March 2014}} Brief summary of major periods in literary history of the Western tradition.
*{{cite book|last=Bonheim|first=Helmut|title=The Narrative Modes: Techniques of the Short Story|year=1982|publisher=Brewer|location=Cambridge}} An overview of several hundred short stories.
*{{cite journal|last=Gillespie|first=Gerald|title=Novella, nouvelle, novella, short novel? — A review of terms|journal=Neophilologus|date=January 1967|volume=51|issue=1|pages=117–127|doi=10.1007/BF01511303|s2cid=162102536}}
*{{cite web|last=Wheeler|first=L. Kip|title=Periods of Literary History|url=http://web.cn.edu/kwheeler/documents/periods_lit_history.pdf|publisher=[[Carson-Newman University]]|access-date=18 March 2014}} Brief summary of major periods in literary history of the Western tradition.
{{refend}}
{{refend}}


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}}
}}
* [http://www.gutenberg.org/ Project Gutenberg Online Library]
* [http://www.gutenberg.org/ Project Gutenberg Online Library]
** [http://www.abacci.com/books/default.asp Abacci] – Project Gutenberg texts matched with Amazon reviews
* [https://web.archive.org/web/20070207044954/http://www.iblist.com/ Internet Book List] similar to [[Internet Movie Database|IMDb]] but for books
* [http://www.iblist.com/ Internet Book List] similar to [[Internet Movie Database|IMDb]] but for books
* [https://archive.org/details/texts Internet Archive Digital eBook Collection]
* [https://archive.org/details/texts Internet Archive Digital eBook Collection]



Revision as of 02:29, 18 April 2022

Literature broadly is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry.[1] In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.[2] Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.

Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.[3][4]

Etymologically, the term derives from Latin literatura/litteratura "learning, a writing, grammar," originally "writing formed with letters," from litera/littera "letter".[5] In spite of this, the term has also been applied to spoken or sung texts.[6][7] Developments in print technology have allowed an ever-growing distribution and proliferation of written works, which now includes electronic literature.

Literature is classified according to whether it is poetry, prose or drama, and such works are categorized according to historical periods, or their adherence to certain aesthetic features, or genre.

Definitions[edit]

Definitions of literature have varied over time.[8] In Western Europe, prior to the 18th century, literature denoted all books and writing literature can be seen as returning to older, more inclusive notions, so that cultural studies, for instance, include, in addition to canonical works, popular and minority genres. The word is also used in reference non-written works: to "oral literature" and "the literature of preliterate culture".

A value judgment definition of literature considers it as consisting solely of high quality writing that forms part of the belles-lettres ("fine writing") tradition.[9] An example of this in the (1910–11) Encyclopædia Britannica that classified literature as "the best expression of the best thought reduced to writing".[10]

History[edit]

File:Kyrgyz Manaschi, Karakol.jpg
A traditional Kyrgyz manaschi performing part of the Epic of Manas at a yurt camp in Karakol, Kyrgyzstan

Oral literature[edit]

The use of the term "literature" here is a little problematic because of its origins in the Latin littera, “letter,” essentially writing. Alternatives such as "oral forms" and "oral genres" have been suggested but the word literature is widely used.[11]

Oral literature is an ancient human tradition found in "all corners of the world".[12] Modern archaeology has been unveiling evidence of the human efforts to preserve and transmit arts and knowledge that depended completely or partially on an oral tradition, across various cultures:

The Judeo-Christian Bible reveals its oral traditional roots; medieval European manuscripts are penned by performing scribes; geometric vases from archaic Greece mirror Homer's oral style. (...) Indeed, if these final decades of the millennium have taught us anything, it must be that oral tradition never was the other we accused it of being; it never was the primitive, preliminary technology of communication we thought it to be. Rather, if the whole truth is told, oral tradition stands out as the single most dominant communicative technology of our species as both a historical fact and, in many areas still, a contemporary reality.[12]

The earliest poetry is believed to have been recited or sung, employed as a way of remembering history, genealogy, and law.[13]

In Asia, the transmission of folklore, mythologies as well as scriptures in ancient India, in different Indian religions, was by oral tradition, preserved with precision with the help of elaborate mnemonic techniques.[14]

The early Buddhist texts are also generally believed to be of oral tradition, with the first by comparing inconsistencies in the transmitted versions of literature from various oral societies such as the Greek, Serbia and other cultures, then noting that the Vedic literature is too consistent and vast to have been composed and transmitted orally across generations, without being written down.[citation needed] According to Goody, the Vedic texts likely involved both a written and oral tradition, calling it a "parallel products of a literate society".[citation needed]

Australian Aboriginal culture has thrived on oral traditions and oral histories passed down through thousands of years. In a study published in February 2020, new evidence showed that both Budj Bim and Tower Hill volcanoes erupted between 34,000 and 40,000 years ago.[15] Significantly, this is a "minimum age constraint for human presence in Victoria", and also could be interpreted as evidence for the oral histories of the Gunditjmara people, an Aboriginal Australian people of south-western Victoria, which tell of volcanic eruptions being some of the oldest oral traditions in existence.[16] An axe found underneath volcanic ash in 1947 had already proven that humans inhabited the region before the eruption of Tower Hill.[15]

All ancient Greek literature was to some degree oral in nature, and the earliest literature was completely so.[17] Homer's epic poetry, states Michael Gagarin, was largely composed, performed and transmitted orally.[18] As folklores and legends were performed in front of distant audiences, the singers would substitute the names in the stories with local characters or rulers to give the stories a local flavor and thus connect with the audience, but making the historicity embedded in the oral tradition as unreliable.[19] The lack of surviving texts about the Greek and Roman religious traditions have led scholars to presume that these were ritualistic and transmitted as oral traditions, but some scholars disagree that the complex rituals in the ancient Greek and Roman civilizations were an exclusive product of an oral tradition.[20]

Writing systems are not known to have existed among Native North Americans before contact with Europeans. Oral storytelling traditions flourished in a context without the use of writing to record and preserve history, scientific knowledge, and social practices.[21] While some stories were told for amusement and leisure, most functioned as practical lessons from tribal experience applied to immediate moral, social, psychological, and environmental issues.[22] Stories fuse fictional, supernatural, or otherwise exaggerated characters and circumstances with real emotions and morals as a means of teaching. Plots often reflect real life situations and may be aimed at particular people known by the story's audience. In this way, social pressure could be exerted without directly causing embarrassment or social exclusion.[23] For example, rather than yelling, Inuit parents might deter their children from wandering too close to the water's edge by telling a story about a sea monster with a pouch for children within its reach.[24]

See also African literature#Oral literature

Oratory[edit]

Oratory or the art of public speaking "was for long considered a literary art".[3] From Ancient Greece to the late 19th century, rhetoric played a central role in Western education in training orators, lawyers, counsellors, historians, statesmen, and poets.[25]Template:NoteTag

Writing[edit]

File:Tableta con trillo.png
Limestone Kish tablet from Sumer with pictographic writing; may be the earliest known writing, 3500 BC. Ashmolean Museum

Around the 4th millennium BC, the complexity of trade and administration in Mesopotamia outgrew human memory, and writing became a more dependable method of recording and presenting transactions in a permanent form.[26] Though in both ancient Egypt and Mesoamerica, writing may have already emerged because of the need to record historical and environmental events. Subsequent innovations included more uniform, predictable, legal systems, sacred texts, and the origins of modern practices of scientific inquiry and knowledge-consolidation, all largely reliant on portable and easily reproducible forms of writing.  

Early written literature[edit]

Ancient Egyptian literature,[27] along with Sumerian literature, are considered the world's oldest literatures.[28] The primary genres of the literature of ancient Egyptdidactic texts, hymns and prayers, and tales—were written almost entirely in verse;[29] By the Old Kingdom (26th century BC to 22nd century BC), literary works included funerary texts, epistles and letters, hymns and poems, and commemorative autobiographical texts recounting the careers of prominent administrative officials. It was not until the early Middle Kingdom (21st century BC to 17th century BC) that a narrative Egyptian literature was created.[30]

Many works of early periods, even in narrative form, had a covert moral or didactic purpose, such as the Sanskrit Panchatantra.200 BC – 300 AD, based on older oral tradition.[31][32] Drama and satire also developed as urban culture provided a larger public audience, and later readership, for literary production. Lyric poetry (as opposed to epic poetry) was often the speciality of courts and aristocratic circles, particularly in East Asia where songs were collected by the Chinese aristocracy as poems, the most notable being the Shijing or Book of Songs (1046–c.600 BC), .[33][34][35]

In ancient China, early literature was primarily focused on philosophy, historiography, military science, agriculture, and poetry. China, the origin of modern paper making and woodblock printing, produced the world's first print cultures.[36] Much of Chinese literature originates with the Hundred Schools of Thought period that occurred during the Eastern Zhou Dynasty (769‒269 BC).[37] The most important of these include the Classics of Confucianism, of Daoism, of Mohism, of Legalism, as well as works of military science (e.g. Sun Tzu's The Art of War, c.5th century BC)) and Chinese history (e.g. Sima Qian's Records of the Grand Historian, c.94 BC). Ancient Chinese literature had a heavy emphasis on historiography, with often very detailed court records. An exemplary piece of narrative history of ancient China was the Zuo Zhuan, which was compiled no later than 389 BC, and attributed to the blind 5th-century BC historian Zuo Qiuming.[38]

In ancient India, literature originated from stories that were originally orally transmitted. Early genres included drama, fables, sutras and epic poetry. Sanskrit literature begins with the Vedas, dating back to 1500–1000 BC, and continues with the Sanskrit Epics of Iron Age India.[39][40] The Vedas are among the oldest sacred texts. The Samhitas (vedic collections) date to roughly 1500–1000 BC, and the "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c. 1000‒500 BC, resulting in a Vedic period, spanning the mid-2nd to mid 1st millennium BC, or the Late Bronze Age and the Iron Age.[41] The period between approximately the 6th to 1st centuries BC saw the composition and redaction of the two most influential Indian epics, the Mahabharata[42][43] and the Ramayana,[44] with subsequent redaction progressing down to the 4th century AD. Other major literary works are Ramcharitmanas[45] & Krishnacharitmanas.

The earliest known Greek writings are Mycenaean (c.1600–1100 BC), written in the Linear B syllabary on clay tablets. These documents contain prosaic records largely concerned with trade (lists, inventories, receipts, etc.); no real literature has been discovered.[46][47] Michael Ventris and John Chadwick, the original decipherers of Linear B, state that literature almost certainly existed in Mycenaean Greece,[47] but it was either not written down or, if it was, it was on parchment or wooden tablets, which did not survive the destruction of the Mycenaean palaces in the twelfth century BC.[47] Homer's, epic poems the Iliad and the Odyssey, are central works of ancient Greek literature. It is generally accepted that the poems were composed at some point around the late eighth or early seventh century BC.[48] Modern scholars consider these accounts legendary.[49][50][51] Most researchers believe that the poems were originally transmitted orally.[52] From antiquity until the present day, the influence of Homeric epic on Western civilization has been great, inspiring many of its most famous works of literature, music, art and film.[53] The Homeric epics were the greatest influence on ancient Greek culture and education; to Plato, Homer was simply the one who "has taught Greece" – ten Hellada pepaideuken.[54][55] Hesiod's Works and Days (c.700 BC) and Theogony, are some of the earliest, and most influential, of ancient Greek literature. Classical Greek genres included philosophy, poetry, historiography, comedies and dramas. Plato (428/427 or 424/423 – 348/347 BC) and Aristotle (384–322 BC) authored philosophical texts that are the foundation of Western philosophy, Sappho (c. 630 – c. 570 BC) and Pindar were influential lyric poets, and Herodotus (c. 484 – c. 425 BC) ) and Thucydides were early Greek historians. Although drama was popular in ancient Greece, of the hundreds of tragedies written and performed during the classical age, only a limited number of plays by three authors still exist: Aeschylus, Sophocles, and Euripides. The plays of Aristophanes (c. 446 – c. 386 BC) provide the only real examples of a genre of comic drama known as Old Comedy, the earliest form of Greek Comedy, and are in fact used to define the genre.[56]

The Hebrew religious text, the Torah, is widely seen as a product of the Persian period (539–333 BC, probably 450–350 BC).[57] This consensus echoes a traditional Jewish view which gives Ezra, the leader of the Jewish community on its return from Babylon, a pivotal role in its promulgation.[58] This represents a major source of Christianity's Bible, which has been a major influence on Western literature.[59]

The beginning of Roman literature dates to 240 BC, when a Roman audience saw a Latin version of a Greek play.[60] Literature in latin would flourish for the next six centuries, and includes essays, histories, poems, plays, and other writings.

The Qur'an (610 AD to 632 AD)[61] ), the main holy book of Islam, had a significant influence on the Arab language, and marked the beginning of Islamic literature. Muslims believe it was transcribed in the Arabic dialect of the Quraysh, the tribe of Muhammad.[23][62] As Islam spread, the Quran had the effect of unifying and standardizing Arabic.[23]

Theological works in Latin were the dominant form of literature in Europe typically found in libraries during the Middle Ages. Western Vernacular literature includes the Poetic Edda and the sagas, or heroic epics, of Iceland, the Anglo-Saxon Beowulf, and the German Song of Hildebrandt. A later form of medieval fiction was the romance, an adventurous and sometimes magical narrative with strong popular appeal.[63]

Controversial, religious, political and instructional literature proliferated during the European Renaissance as a result of the Johannes Gutenberg's invention of the printing press[64] around 1440, while the Medieval romance developed into the novel,[65]

Publishing[edit]

File:Jingangjing.jpg
The intricate frontispiece of the Diamond Sutra from Tang dynasty China, the world's earliest dated printed book, AD 868 (British Library)

Publishing became possible with the invention of writing, but became more practical with the invention of printing. Prior to printing, distributed works were copied manually, by scribes.

The Chinese inventor Bi Sheng made movable type of earthenware c. 1045. Then c.1450, separately Johannes Gutenberg invented movable type in Europe. This invention gradually made books less expensive to produce and more widely available.

Early printed books, single sheets and images which were created before 1501 in Europe are known as incunables or incunabula. "A man born in 1453, the year of the fall of Constantinople, could look back from his fiftieth year on a lifetime in which about eight million books had been printed, more perhaps than all the scribes of Europe had produced since Constantine founded his city in A.D. 330."[66]

Eventually, printing enabled other forms of publishing besides books. The history of modern newspaper publishing started in Germany in 1609, with publishing of magazines following in 1663.

University discipline[edit]

In England[edit]

In England in the late 1820s, growing political and social awareness, "particularly among the utilitarians and Benthamites, promoted the possibility of including courses in English literary study in the newly formed London University". This further developed into the idea of the study of literature being "the ideal carrier for the propagation of the humanist cultural myth of a welleducated, culturally harmonious nation".[67]

America[edit]

American Literature (academic discipline)

Women and literature[edit]

The widespread education of women was not common until the nineteenth century, and because of this literature until recently was mostly male dominated.[68]

George Sand was an idea. She has a unique place in our age.
Others are great men ... she was a great woman.

Victor Hugo, Les funérailles de George Sand[69]

There are few women poets writing in English, whose names are remembered, until the twentieth century. In the nineteenth century some names that stand out are Emily Brontë, Elizabeth Barrett Browning, and Emily Dickinson (see American poetry). But while generally women are absent from the European cannon of Romantic literature, there is one notable exception, the French novelist and memoirist Amantine Dupin (1804 – 1876) best known by her pen name George Sand.[70][71] One of the more popular writers in Europe in her lifetime,[72] being more renowned than both Victor Hugo and Honoré de Balzac in England in the 1830s and 1840s,[73] Sand is recognised as one of the most notable writers of the European Romantic era. Jane Austen (1775 – 1817) is the first major English woman novelist, while Aphra Behn is an early female dramatist.

Nobel Prizes in Literature have been awarded between 1901 and 2020 to 117 individuals: 101 men and 16 women. Selma Lagerlöf (1858 – 1940) was the first woman to win the Nobel Prize in Literature, which she was awarded in 1909. Additionally, she was the first woman to be granted a membership in The Swedish Academy in 1914.[74]

Feminist scholars have since the twentieth century sought expand the literary canon to include more women writers.

Children's literature[edit]

A separate genre of children's literature only began to emerge in the eighteenth century, with the development of the concept of childhood.[75]: x–xi  The earliest of these books were educational books, books on conduct, and simple ABCs—often decorated with animals, plants, and anthropomorphic letters.[76]

Aesthetics[edit]

Literary theory[edit]

A fundamental question of literary theory is "what is literature?" – although many contemporary theorists and literary scholars believe either that "literature" cannot be defined or that it can refer to any use of language.[77]

Literary fiction[edit]

File:Parnaso 09.jpg
Dante, Homer and Virgil in Raphael's Parnassus fresco (1511), key figures in the Western canon

Literary fiction is a term used to describe fiction that explores any facet of the human condition, and may involve social commentary. It is often regarded as having more artistic merit than genre fiction, especially the most commercially oriented types, but this has been contested in recent years, with the serious study of genre fiction within universities.[78]

The following, by the award-winning British author William Boyd on the short story, might be applied to all prose fiction:

[short stories] seem to answer something very deep in our nature as if, for the duration of its telling, something special has been created, some essence of our experience extrapolated, some temporary sense has been made of our common, turbulent journey towards the grave and oblivion.[79]

The very best in literature is annually recognized by the Nobel Prize in Literature, which is awarded to an author from any country who has, in the words of the will of Swedish industrialist Alfred Nobel, produced "in the field of literature the most outstanding work in an ideal direction" (original Swedish: den som inom litteraturen har producerat det mest framstående verket i en idealisk riktning).[80][81]

The value of imaginative literature[edit]

Some researchers suggest that literary fiction can play a role in an individual's psychological development.[82] Psychologists have also been using literature as a therapeutic tool.[83][84] Psychologist Hogan argues for the value of the time and emotion that a person devotes to understanding a character's situation in literature;[85] that it can unite a large community by provoking universal emotions, as well as allowing readers access to different cultures, and new emotional experiences.[86] One study, for example, suggested that the presence of familiar cultural values in literary texts played an important impact on the performance of minority students.[87]

Psychologist Maslow's ideas help literary critics understand how characters in literature reflect their personal culture and the history.[88] The theory suggests that literature helps an individual's struggle for self-fulfilment.[89][90]

The influence of religious texts[edit]

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Religion has had a major influence on literature, through works like the Vedas, the Torah, the Bible,[91] and the Qur'an.[92][93][94]

The King James Version of the Bible has been called "the most influential version of the most influential book in the world, in what is now its most influential language", "the most important book in English religion and culture", and "the most celebrated book in the English-speaking world"[citation needed] - principally because of its literary style and widespread distribution. Prominent atheist figures such as the late Christopher Hitchens and Richard Dawkins have praised the King James Version as being "a giant step in the maturing of English literature" and "a great work of literature", respectively, with Dawkins then adding, "A native speaker of English who has never read a word of the King James Bible is verging on the barbarian".[95][96]

Societies in which preaching has great importance, and those in which religious structures and authorities have a near-monopoly of reading and writing and/or a censorship role, may impart a religious gloss to much of the literature those societies produce or retain - as for example in the European Middle Ages. The traditions of close study of religious texts has furthered the development of techniques and theories in literary studies.

Types of literature[edit]

Poetry[edit]

File:Calligramme.jpg
A calligram by Guillaume Apollinaire. These are a type of poem in which the written words are arranged in such a way to produce a visual image.

Poetry has traditionally been distinguished from prose by its greater use of the aesthetic qualities of language, including musical devices such as assonance, alliteration, rhyme, and rhythm, and by being set in lines and verses rather than paragraphs, and more recently its use of other typographical elements.[97][98][99] This distinction is complicated by various hybrid forms such as sound poetry, concrete poetry and prose poem,[100] and more generally by the fact that prose possesses rhythm.[101] Abram Lipsky refers to it as an "open secret" that "prose is not distinguished from poetry by lack of rhythm".[102]

Prior to the 19th century, poetry was commonly understood to be something set in metrical lines: "any kind of subject consisting of Rhythm or Verses".[97] Possibly as a result of Aristotle's influence (his Poetics), "poetry" before the 19th century was usually less a technical designation for verse than a normative category of fictive or rhetorical art.[clarification needed][103] As a form it may pre-date literacy, with the earliest works being composed within and sustained by an oral tradition;[104][105] hence it constitutes the earliest example of literature.

Prose[edit]

As noted above, prose generally makes far less use of the aesthetic qualities of language than poetry.[98][99][106] However, developments in modern literature, including free verse and prose poetry have tended to blur the differences, and American poet T.S. Eliot suggested that while: "the distinction between verse and prose is clear, the distinction between poetry and prose is obscure".[107] There are verse novels, a type of narrative poetry in which a novel-length narrative is told through the medium of poetry rather than prose. Eugene Onegin (1831) by Alexander Pushkin is the most famous example.[108]

On the historical development of prose, Richard Graff notes that "[In the case of ancient Greece] recent scholarship has emphasized the fact that formal prose was a comparatively late development, an "invention" properly associated with the classical period".[109]

Latin was a major influence on the development of prose in many European countries. Especially important was the great Roman orator Cicero.[110] It was the lingua franca among literate Europeans until quite recent times, and the great works of Descartes (1596 – 1650), Francis Bacon (1561 – 1626), and Baruch Spinoza (1632 – 1677) were published in Latin. Among the last important books written primarily in Latin prose were the works of Swedenborg (d. 1772), Linnaeus (d. 1778), Euler (d. 1783), Gauss (d. 1855), and Isaac Newton (d. 1727).

Novel[edit]

File:Printing3 Walk of Ideas Berlin.JPG
Sculpture in Berlin depicting a stack of books on which are inscribed the names of great German writers.

A novel is a long fictional prose narrative. In English, the term emerged from the Romance languages in the late 15th century, with the meaning of "news"; it came to indicate something new, without a distinction between fact or fiction.[111] The romance is a closely related long prose narrative. Walter Scott defined it as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", whereas in the novel "the events are accommodated to the ordinary train of human events and the modern state of society".[112] Other European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo",[113] indicates the proximity of the forms.[114]

Although there are many historical prototypes, so-called "novels before the novel",[115] the modern novel form emerges late in cultural history—roughly during the eighteenth century.[116] Initially subject to much criticism, the novel has acquired a dominant position amongst literary forms, both popularly and critically.[114][117][118]

Novella[edit]

The publisher Melville House classifies the novella as "too short to be a novel, too long to be a short story".[119] Publishers and literary award societies typically consider a novella to be between 17,000 and 40,000 words.[120]

Short story[edit]

A dilemma in defining the "short story" as a literary form is how to, or whether one should, distinguish it from any short narrative and its contested origin,[121] that include the Bible, and Edgar Allan Poe.[122]

Graphic novel[edit]

Graphic novels and comic books present stories told in a combination of artwork, dialogue, and text.

Electronic literature[edit]

Electronic literature is a literary genre consisting of digital works

Nonfiction[edit]

Common literary examples of nonfiction include, the essay; travel literature and nature writing; biography, autobiography and memoir; journalism; letters; journals; history, philosophy, economics; scientific, and technical writings.[4][123]

Nonfiction can fall within the broad category of literature as "any collection of written work", but some works fall within the narrower definition "by virtue of the excellence of their writing, their originality and their general aesthetic and artistic merits".[124]

Drama[edit]

Drama is literature intended for performance.[125] The form is combined with music and dance in opera and musical theatre (see libretto). A play is a written dramatic work by a playwright that is intended for performance in a theatre; it comprises chiefly dialogue between characters. A closet drama, by contrast, is written to be read rather than to be performed; the meaning of which can be realized fully on the page.[126] Nearly all drama took verse form until comparatively recently.

The earliest form of which there exists substantial knowledge is Greek drama. This developed as a performance associated with religious and civic festivals, typically enacting or developing upon well-known historical, or mythological themes,

In the twentieth century scripts written for non-stage media have been added to this form, including radio, television and film.

Law[edit]

Law and literature[edit]

The law and literature movement focuses on the interdisciplinary connection between law and literature.

Copyright[edit]

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[127][128][129][130][131] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[132][133][134]

United Kingdom[edit]

Literary works have been protected by copyright law from unauthorized reproduction since at least 1710.[135] Literary works are defined by copyright law to mean "any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes (a) a table or compilation (other than a database), (b) a computer program, (c) preparatory design material for a computer program, and (d) a database."[136]

Literary works are all works of literature; that is all works expressed in print or writing (other than dramatic or musical works).[137]

United States[edit]

The copyright law of the United States has a long and complicated history, dating back to colonial times. It was established as federal law with the Copyright Act of 1790. This act was updated many times, including a major revision in 1976.

European Union[edit]

The copyright law of the European Union is the copyright law applicable within the European Union. Copyright law is largely harmonized in the Union, although country to country differences exist. The body of law was implemented in the EU through a number of directives, which the member states need to enact into their national law. The main copyright directives are the Copyright Term Directive, the Information Society Directive and the Directive on Copyright in the Digital Single Market. Copyright in the Union is furthermore dependent on international conventions to which the European Union is a member (such as the TRIPS Agreement and conventions to which all Member States are parties (such as the Berne Convention)).

Copyright in communist countries[edit]

Copyright in Japan[edit]

Japan was a party to the original Berne convention in 1899, so its copyright law is in sync with most international regulations. The convention protected copyrighted works for 50 years after the author's death (or 50 years after publication for unknown authors and corporations). However, in 2004 Japan extended the copyright term to 70 years for cinematographic works. At the end of 2018, as a result of the Trans-Pacific Partnership negotiations, the 70 year term was applied to all works.[138] This new term is not applied retroactively; works that had entered the public domain between 1999 and 2018 by expiration would remain in the public domain.

Censorship[edit]

File:Kuzma petrov-vodkin, ritratto di anna akhmatova, 1922.JPG
Soviet poet Anna Akhmatova (1922), whose works were condemned and censored by the Stalinist authorities

Is a means employed by states, religious organizations, educational institutions, etc, to control what can be portrayed, spoken, performed, or written.[139] Generally such bodies attempt to ban works for political reasons, or because they deal with other controversial matters such as race, or sex.[140]

A notorious example of censorship is James Joyce's novel Ulysses, which has been described by Russian-American novelist Vladimir Nabokov as a "divine work of art" and the greatest masterpiece of 20th century prose.[141] It was banned in the United States from 1921 until 1933 on the grounds of obscenity. Nowadays it is a central literary text in English literature courses, throughout the world.[142]

Awards[edit]

There are numerous awards recognizing achievement and contribution in literature. Given the diversity of the field, awards are typically limited in scope, usually on: form, genre, language, nationality and output (e.g. for first-time writers or debut novels).[143]

The Nobel Prize in Literature was one of the six Nobel Prizes established by the will of Alfred Nobel in 1895,[144] and is awarded to an author on the basis of their body of work, rather than to, or for, a particular work itself.[note 1] Other literary prizes for which all nationalities are eligible include: the Neustadt International Prize for Literature, the Man Booker International Prize, Pulitzer Prize, Hugo Award, Guardian First Book Award and the Franz Kafka Prize.

See also[edit]

Notes[edit]

  1. However, in some instances a work has been cited in the explanation of why the award was given.

References[edit]

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Bibliography[edit]

Further reading[edit]

  • Bonheim, Helmut (1982). The Narrative Modes: Techniques of the Short Story. Cambridge: Brewer. An overview of several hundred short stories.
  • Gillespie, Gerald (January 1967). "Novella, nouvelle, novella, short novel? — A review of terms". Neophilologus. 51 (1): 117–127. doi:10.1007/BF01511303. S2CID 162102536.
  • Wheeler, L. Kip. "Periods of Literary History" (PDF). Carson-Newman University. Retrieved 18 March 2014. Brief summary of major periods in literary history of the Western tradition.

External links[edit]