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	<title>Ensemble cast - Revision history</title>
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		<title>Adminpeter: Created page with &quot;{{short description|Principal actors and performers}} In a dramatic production, an &#039;&#039;&#039;ensemble cast&#039;&#039;&#039; is one which is composed of multiple principal actors and performing a...&quot;</title>
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		<updated>2022-05-27T05:20:11Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{short description|Principal actors and performers}} In a dramatic production, an &amp;#039;&amp;#039;&amp;#039;ensemble cast&amp;#039;&amp;#039;&amp;#039; is one which is composed of multiple principal actors and performing a...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|Principal actors and performers}}&lt;br /&gt;
In a dramatic production, an &amp;#039;&amp;#039;&amp;#039;ensemble cast&amp;#039;&amp;#039;&amp;#039; is one which is composed of multiple principal actors and [[performing arts|performers]] who are typically assigned roughly equal amounts of screen time.&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;Random House: ensemble acting Linked 2013-07-17&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.com/books?id=Ik9sleNg10kC&amp;amp;pg=PA112|title=Character design for graphic novels|author=Steven Withrow|author2=Alexander Danner|year=2007|publisher=[[Focal Press]]/Rotovision|page=112|access-date=2009-09-05|isbn=9780240809021}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Structure==&lt;br /&gt;
In contrast to the popular model, which gives precedence to a sole [[protagonist]], an ensemble cast leans more towards a sense of &amp;quot;collectivity and community&amp;quot;.&amp;lt;ref name=math&amp;gt;{{Cite journal|url=https://academic.oup.com/screen/article/52/1/89/1668892|title=Referential acting and the ensemble cast|first=Ernest|last=Mathijs|date=March 1, 2011|journal=Screen|volume=52|issue=1|pages=89–96|via=academic.oup.com|doi=10.1093/screen/hjq063}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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===Cinema===&lt;br /&gt;
Ensemble casts in film were introduced as early as September 1916, with [[D. W. Griffith]]&amp;#039;s silent [[epic film]] &amp;#039;&amp;#039;[[Intolerance (film)|Intolerance]]&amp;#039;&amp;#039;, featuring four separate though parallel plots.&amp;lt;ref name=&amp;quot;smith&amp;quot;&amp;gt;{{Cite web|url=http://www.screeningthepast.com/2012/12/ensemble-film-postmodernity-and-moral-mapping/|title=Ensemble Film, Postmodernity and Moral Mapping|website=www.screeningthepast.com}}&amp;lt;/ref&amp;gt; The film follows the lives of several characters over hundreds of years, across different cultures and time periods.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.filmsite.org/into.html|title=Intolerance (1916)|website=www.filmsite.org}}&amp;lt;/ref&amp;gt; The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it&amp;#039;s a location, event, or an overarching theme that ties the film and characters together.&amp;lt;ref name=&amp;quot;smith&amp;quot; /&amp;gt;&lt;br /&gt;
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Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when the characters are strangers to one another.&amp;lt;ref name=&amp;quot;silvey&amp;quot;&amp;gt;{{Cite journal|url=http://www.forumjournal.org/article/view/621|title=Not Just Ensemble Films: Six Degrees, Webs, Multiplexity and the Rise of Network Narratives|first=Vivien|last=Silvey|date=June 5, 2009|journal=FORUM: University of Edinburgh Postgraduate Journal of Culture &amp;amp; the Arts|issue=8|via=www.forumjournal.org}}&amp;lt;/ref&amp;gt; The interconnectivity is often shown to the audience through examples of the &amp;quot;[[six degrees of separation]]&amp;quot; theory, and allows them to navigate through plot lines using [[cognitive mapping]].&amp;lt;ref name=&amp;quot;silvey&amp;quot; /&amp;gt; Examples of this method, where the six degrees of separation is evident in films with an ensemble cast, are in productions such as &amp;#039;&amp;#039;[[Love Actually]],&amp;#039;&amp;#039; &amp;#039;&amp;#039;[[Crash (2004 film)|Crash]]&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;[[Babel (film)|Babel]]&amp;#039;&amp;#039;, which all have strong underlying themes interwoven within the plots that unify each film.&amp;lt;ref name=&amp;quot;smith&amp;quot; /&amp;gt;&lt;br /&gt;
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&amp;#039;&amp;#039;[[The Avengers (2012 film)|The Avengers]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[X-Men (2000 film)|X-Men]]&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;[[Justice League (film)|Justice League]]&amp;#039;&amp;#039; are three examples of ensemble casts in the [[superhero film|superhero]] genre.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.theguardian.com/film/filmblog/2012/apr/23/avengers-assemble-disarms-critics-joss-whedon|title=Avengers Assemble disarms the critics|first=Ben|last=Child|date=April 23, 2012|via=www.theguardian.com}}&amp;lt;/ref&amp;gt; In &amp;#039;&amp;#039;The Avengers&amp;#039;&amp;#039;, there is no need for a single central protagonist as each character shares equal importance in the narrative, successfully balancing the ensemble cast.&amp;lt;ref&amp;gt;{{cite web |url=http://www.hypable.com/2011/11/19/joss-whedon-talks-in-depth-about-the-ensemble-cast-of-the-avengers |title= Joss Whedon talks in depth about the ensemble cast of &amp;#039;The Avengers&amp;#039; |date=November 19, 2011 |website= www.hypable.com|access-date=2020-06-15}}&amp;lt;/ref&amp;gt; Referential acting is a key factor in executing this balance, as ensemble cast members &amp;quot;play off each other rather than off reality&amp;quot;.&amp;lt;ref name=&amp;quot;math&amp;quot; /&amp;gt;&lt;br /&gt;
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Hollywood movies with ensemble casts tend to use numerous actors of high renown and/or prestige, instead of one or two &amp;quot;big stars&amp;quot; and a lesser-known supporting cast.{{cn|date=September 2021}}&lt;br /&gt;
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===Television ===&lt;br /&gt;
Ensemble casting also became more popular in [[television program|television series]] because it allows flexibility for writers to focus on different characters in different episodes. In addition, the departure of players is less disruptive than would be the case with a regularly structured cast. The television series &amp;#039;&amp;#039;[[The Golden Girls]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Friends]]&amp;#039;&amp;#039; are archetypal examples of ensemble casts in American sitcoms. The science-fiction mystery drama &amp;#039;&amp;#039;[[Lost (TV Series)|Lost]]&amp;#039;&amp;#039; features an ensemble cast. Ensemble casts of 20 or more actors are common in [[soap opera]]s, a genre that relies heavily on the character development of the ensemble.&amp;lt;ref&amp;gt;{{Cite journal|url=https://journal.transformativeworks.org/index.php/twc/article/view/42/50|title=View of Soap operas and the history of fan discussion &amp;amp;#124; Transformative Works and Cultures|journal=Transformative Works and Cultures|date=15 September 2008|volume=1|doi=10.3983/twc.2008.042|last1=Ford|first1=Sam}}&amp;lt;/ref&amp;gt; The genre also requires continuous expansion of the cast as the series progresses, with soap operas such as &amp;#039;&amp;#039;[[General Hospital]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Days of Our Lives]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[The Bold and the Beautiful]]&amp;#039;&amp;#039; staying on air for decades.&amp;lt;ref&amp;gt;{{Cite web|url=http://henryjenkins.org/blog/2010/12/the_survival_of_soap_opera_par_1.html|title=The Survival of Soap Opera (Part Two):The History and Legacy of Serialized Television|website=Henry Jenkins}}&amp;lt;/ref&amp;gt; &lt;br /&gt;
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An example of a success for television in ensemble casting is the [[Primetime Emmy Award|Emmy Award]]-winning [[HBO]] series &amp;#039;&amp;#039;[[Game of Thrones]]&amp;#039;&amp;#039;. The fantasy series features one of the largest ensemble casts on the small screen.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.telegraph.co.uk/culture/tvandradio/game-of-thrones/10888519/David-Cameron-Im-a-Game-of-Thrones-fan.html|title=David Cameron: &amp;#039;I&amp;#039;m a Game of Thrones fan&amp;#039;|first=Scott|last=Campbell|date=June 10, 2014|via=www.telegraph.co.uk}}&amp;lt;/ref&amp;gt; The series is notorious for major character deaths, resulting in constant changes within the ensemble.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.abc.net.au/religion/the-game-of-thrones-nobody-wins-everybody-dies/10099808|title=The Game of Thrones: Nobody wins, everybody dies|first=Adam|last=Brereton|date=June 12, 2013|website=ABC Religion &amp;amp; Ethics}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==See also==&lt;br /&gt;
* [[All-star]]&lt;br /&gt;
* [[Polyphony (literature)]]&lt;br /&gt;
* [[Supergroup (music)]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Film crew}}&lt;br /&gt;
{{Portal bar|Film}}&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Film and video terminology]]&lt;br /&gt;
[[Category:Stage terminology]]&lt;/div&gt;</summary>
		<author><name>Adminpeter</name></author>
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